Australian Poetry Journal

Australian Poetry Journal

Australian Poetry Journal: Vol. 3, No. 2

edited by Bronwyn Lea

Australian Poetry, $25 pb, 90 pp, 9780992318918

My first encounter with concrete poetry came via Apollinaire’s Calligrammes (1918), specifically his eye-catching poem ‘Il Pleut’. With its gently cascading words falling down the page, it was immediately clear that the typographic arrangement of the poem was of far greater import than its semantic content.

Although the term was not coined until the 1950s, concrete poetry draws upon traditions as diverse as ancient Greek shaped poems, Lewis Carroll’s ‘The Mouse’s Tale’, and the typographic experiments found in early twentieth-century Dada and Futurist publications. Despite this, concrete poetry has historically fallen between the cracks of various critical discourses. Is it art or is it poetry?

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Des Cowley

Des Cowley

Des Cowley is the History of the Book Manager at State Library Victoria. He is co-curator of the Library’s permanent exhibition Mirror of the World: Books and Ideas and co-author of The World of the Book, published by Melbourne University Press in 2007.

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