In Negotiating with the Dead (2002), Margaret Atwood proposes that all writing ‘is motivated, deep down, by a fear of, and fascination with, mortality – by a desire to make the risky trip to the Underworld, and to bring something or someone back from the dead’. Certainly writers often use their craft both to preserve the memory of times, places, and people lost to them, and, consciously or unconsciously, to create a vivid, unique voice that will outlast their own earthly existence. Is this fixation with mortality also a reason for the frequent presence of ghosts in narratives? From Hamlet’s father through to Heathcliff’s Catherine, and on to the otherworldly characters in The One and Only Jack Chant and The Haunting of Lily Frost, many stories pose the question as to whether these eerie spectres are ghosts or imagination, as well as what the living can learn from them – and, as Lily Frost questions, ‘What do ghosts want?’
New YA Novels from Rosie Borella and Nova Weetman
The One and Only Jack Chant
by Rosie Borella
Allen & Unwin, $15.99 pb, 328 pp, 9781743311387
The Haunting of Lily Frost
University of Queensland Press, $19.95 pb, 240 pp, 9780702250156
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Maya Linden has lived and worked in the United States and in Australia as a writer, researcher, restaurant and bar critic, book reviewer, and teacher of Creative Writing at the University of Melbourne. She has recently completed a PhD on feminine masochism in women’s literature at the University of Adelaide, and her creative and critical writing has been published in many local and international journals, including Meanjin, Westerly, Life Writing and Australian Book Review, as well as several anthologies. Her website is www.mayalinden.com
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