‘I am back again in London and smothered in work.’ Volume Three of T.S. Eliot’s letters opens to the poet working ‘hours [that] are long and late’, ‘under great pressure’ as a newly appointed professional editor and publisher. Eliot resigned from Lloyds Bank in late 1925 to join the board of Faber and Gwyer. The publishing house bought part of the Criterion, the literary periodical that Eliot produced alongside his banking job, and reissued it in January 1926 as the New Criterion, with Eliot as full-time, salaried editor.
James McNamara on 'The Letters of T.S. Eliot' edited by Valerie Eliot and John Haffenden
More letters from T.S. Eliot
The Letters of T.S. Eliot: Volume 3: 1926–1927
edited by Valerie Eliot and John Haffenden
Faber and Faber (Allen & Unwin), $79.99 hb, 997 pp, 9780571140855
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James McNamara is an Australian television writer based in Los Angeles. His television work includes comedy and drama writers rooms for the Academy Award-winning See-Saw Films, Matchbox Pictures/NBC Universal, Foxtel, ABC, Porchlight Films, and Endemol Shine, and developing shows for Goalpost Pictures and Playmaker Media/Sony Pictures. McNamara received ABR’s third Ian Potter Foundation Fellowship for his long-form essay, ‘The Golden Age of Television?’ (ABR, April 2015), praised by Clive James as ‘a global contribution to cultural analysis’. McNamara’s essays and criticism have also appeared in the New York Times, Washington Post, Times Literary Supplement, and The Spectator.
Born in Western Australia in 1982, McNamara received degrees in English and Law from the University of Western Australia, graduated in screenwriting from AFTRS, and holds a doctorate in English from Oxford, where he was a Clarendon Scholar. Before becoming a writer, McNamara was a litigator specialising in international disputes at a top-tier US law firm. He was recently named a BAFTA LA Newcomer.
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