When the intellectuals, writers, and artists of the Renaissance sought a theoretical basis for the new styles they were developing – at a time when the new meant all’antica and the term modern was still coloured by associations with the Middle Ages – they found that ancient sources were relatively abundant in some areas and scarce or non-existent in others. Poets could find inspiration in Horace’s Ars Poetica, and later in Aristotle’s Poetics. And there was a wealth of material on rhetoric – Aristotle, Cicero, Quintilian, Tacitus – in fact an abundance out of all proportion to the practice of the art in an age when public speaking was represented by sermons and university lectures rather than by the deliberative and forensic oratory that were the lifeblood of Greece and Rome.
Antiquity and the Renaissance
Pliny and the artistic culture of the Italian Renaissance: The Legacy of the ‘Natural History’
by Sarah Blake McHam
Yale University Press (Inbooks), $110 hb, 336 pp, 9780300186031
Read the rest of this article by subscribing to ABR Online for as little as $10 a month. We offer a range of subscription options, including print, which can be found by clicking here. If you are already a subscriber, enter your username and password in the ‘Log In’ section in the top right-hand corner of the screen. If you require assistance, contact us or consult the Frequently Asked Questions page.
By this contributor
- Christopher Allen reviews 'Heaven on Earth: Painting and the life to come' by T.J. Clark
- Christopher Allen reviews 'Keeping Their Marbles: How the treasures of the past ended up in museums ... and why they should stay there' by Tiffany Jenkins
- Christopher Allen reviews 'Palmyra: An irreplaceable treasure' by Paul Veyne, translated by Teresa Lavender Fagan
Leave a comment
Please note that all comments must be approved by ABR and comply with our Terms & Conditions.
NB: If you are an ABR Online subscriber or contributor, you will need to login to ABR Online in order to post a comment. If you have forgotten your login details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to firstname.lastname@example.org. We will review your comment and, subject to approval, we will post it under your name.