The depredations of time on the ageing human is an unusual topic for a young writer to confront, especially in a first novel, but why not, if the negative capability is not wanting? After all, it’s common enough for an older writer to inhabit young characters. The difference is, of course, that a young writer hasn’t yet been old. In Fiona McFarlane’s first novel, The Night Guest, the main centre of consciousness, through whom the whole narrative is perceived, is more than twice the author’s age. In an interview in the Sydney Morning Herald, McFarlane revealed that both her grandmothers suffered from dementia and that writing about Ruth, a seventy-five-year-old widow who is clearly becoming increasingly confused (the D-word is never used), is an act of homage and remembrance.
Gillian Dooley is an Honorary Senior Research Fellow in English at Flinders University, and a Visiting Fellow in the Music Department at Southampton University. Her publications include an edited book of interviews with Iris Murdoch (2003), V.S. Naipaul, Man and Writer (2006), J.M. Coetzee and the Power of Narrative (2010), and journal articles on a range of literary topics including music in the life and work of Jane Austen. In 2005 she co-edited Matthew Flinders’ Private Journal and in 2014 she published an edition of the correspondence between Iris Murdoch and the Australian radical philosopher Brian Medlin. She has been a regular reviewer for ABR since 2002. She is founding editor of the online journals Transnational Literature and Writers in Conversation.
From the New Issue
Under the Rainbow: The life and times of E.W. Cole by Richard BroinowskiReviewed by Jim Davidson
Antigone Rising: The subversive power of the ancient myths by Helen MoralesReviewed by Greta Hawes