The last twelve months have seen some notable film reworkings of classic literary texts, with Anna Karenina set in a theatre, a black Heathcliff in Wuthering Heights, and a gorgeous Much Ado About Nothing enacted in monochrome contemporary California. Now we have a compelling version of Henry James’s novel What Maisie Knew (1897), which reminds one of what a good run he has had with film adaptations. Hapless as he was as a stage dramatist, James would have been delighted with such potent film versions as The Heiress (ex-Washington Square, 1949) and The Wings of the Dove (1997).
Brian McFarlane’s latest book is Four from the Forties: Arliss, Crabtree, Knowles and Huntington, Manchester: MUP, 2018. He has had three overlapping careers, as teacher, academic, and writer. He is the author or editor of over twenty books and hundreds of articles and reviews on film and literature and related matters. He co-edited The Oxford Companion to Australian Film and was compiler, editor and chief author of The Encyclopedia of British Film. His most recent books include: Twenty British Films: A guided tour, Double-Act: The remarkable lives and careers of Googie Withers and John McCallum, and The Never-Ending Brief Encounter. He is currently serving as Adjunct Professor at Swinburne University of Technology and as Adjunct Associate Professor at Monash University.
From the New Issue
Celestial Tapestry: The warp and weft of art and mathematics by Nicholas Mee
Truth-telling: History, sovereignty and the Uluru Statement by Henry Reynolds