Geordie Williamson

Geordie Williamson reviews 'The Internet Is Not What You Think It Is: A history, a philosophy, a warning' by Justin E.H. Smith

July 2022, no. 444 • 25 June 2022

A dubious privilege of belonging to Generation X is that your life straddles the period during which the internet went from being science fiction to settled fact of life. Take, for example, Justin Smith, the American-born, University of Paris-based historian of philosophy and science, a professor who turns fifty this year. He started out on dial-up message boards in the 1980s, saw his first HTML w ... (read more)

Geordie Williamson reviews 'Arriving at Night' by Lisa Merrifield

August 2001, no. 233 • 01 August 2001

There is about Lisa Merrifield’s second novel a quality of aqueousness, an obsessive returning to states of immersion, whether in water, sleep, waves, a glass of gin. Hers is a superb exploration of the gelatinous margin between mind and world, innocence and experience, madness and sanity – those interregnums in the government of the self. And while it is from the weird clarity of this amnioti ... (read more)

Geordie Williamson reviews 'The Sinner and the Saint: Dostoevsky, a crime and its punishment' by Kevin Birmingham

March 2022, no. 440 • 20 February 2022

There really isn’t another biographer like Joseph Frank – nor a biography to place beside his 2,400-page, five-volume life (1976–2002) of Fyodor Dostoevsky, the wildest and most contradictory of the great nineteenth-century Russian novelists. Frank set out in the late 1970s – a time when historically grounded literary scholarship was losing favour in the academy – to fix Dostoevsky (1821 ... (read more)

Geordie Williamson reviews 'A Matter of Obscenity: The politics of censorship in modern England' by Christopher Hilliard

December 2021, no. 438 • 24 November 2021

Censorship is to culture what war is to demography: it creates absence where presence should be. Christopher Hilliard’s fascinating and deeply informed monograph on the politics of censorship in Britain (and by extension its colonies) from the 1850s to the 1980s is concerned with the many books, magazines, and films that fell afoul of the authorities, from translations of Zola in the wake of the ... (read more)

Geordie Williamson reviews 'Burning Man: The ascent of D.H. Lawrence' by Frances Wilson

August 2021, no. 434 • 26 July 2021

Why ‘burning man’? Because in this immense, obsessive, studiously unkempt work, the biographer brings accelerant to the raging bonfire that is D.H. Lawrence’s reputation and pours it with pyromaniacal glee. Frances Wilson’s new life of the writer stands athwart the accumulated crimes of which Lawrence stands accused – his obstreperousness, his intense and absurd hatreds, his dubious poli ... (read more)

Geordie Williamson reviews 'The Art of the Glimpse: 100 Irish short stories' edited by Sinéad Gleeson

July 2021, no. 433 • 22 June 2021

Back in my bookselling days during the early noughties, I spent a grey London autumn in the company of W.B. Yeats. My employers were Maggs Bros., an old Quaker firm and the queen’s booksellers, then based in Mayfair’s Berkeley Square: a venue that sounds glamorous but wasn’t, or at least not for me. The job involved much sitting in an underheated basement, beneath windows that offered a glim ... (read more)

Geordie Williamson reviews 'The Lost Dog' by Michelle de Kretser

November 2007, no. 296 • 01 December 2007

Michelle de Kretser’s third novel opens with a man and a dog in the Australian bush, an image whose hooks are sunk deep in our national psyche. Recall the Edenic first chapter of The Tree of Man (1955), with its portrait of Stan Parker settling on a patch of virgin wilderness with only his dog for company. In the Australian Garden, Eve is a subsidiary companion. But the hound who goes missing a ... (read more)

Geordie Williamson reviews 'Tom Stoppard: A life' by Hermione Lee

December 2020, no. 427 • 25 November 2020

A tantalising ‘what if?’ emerges from the opening chapters of Hermione Lee’s immense, intricately researched life of Tom Stoppard. On the day in 1939 when the Germans invaded Czechoslovakia, the future playwright’s assimilated Jewish parents were obliged to flee the Moravian town where they lived. They made it to Singapore, only to endure Japanese invasion soon afterward. Stoppard’s moth ... (read more)

Geordie Williamson reviews 'The Dickens Boy' by Tom Keneally

April 2020, no. 420 • 20 March 2020

‘When a writer is born into a family, the family is finished.’ That gunshot of a quotation comes from the Polish poet Czesław Miłosz. I suspect he means writers are traitors to biology – they have higher allegiances than blood ties. Art is their true spouse; their works are the favoured first-born. Catherine Dickens had ten children by her husband, Charles. Each was named after a famous a ... (read more)

Geordie Williamson reviews 'Wanting' by Richard Flanagan

November 2008, no. 306 • 01 November 2008

For the inhabitants of mainland Australia, ‘history’ is often complicated by the sheer fact of geography. Instead of one central node, European colonisation expanded from multiple centres, each isolated in space and founded on differing socio-political premises over staggered periods of time, and each with populations too various in background to allow much in the way of agreement about some v ... (read more)