The Inheritance of Ivorie Hammer is a novel that manages to be absolutely itself, with a wholly idiosyncratic voice, while at the same time acting as a veritable echo chamber of earlier writers. The first page, with its lofty insistence about what ‘should not surprise the world’ in the behaviour of a young woman with the surname Ward, immediately calls to mind Mansfield Park, and the Austen echo is redoubled by the fact that her first name is Marianne. However, Preston’s narrator proceeds to address her readers with a confidence she might have learned from Anthony Trollope, while elsewhere providing information in bulleted lists, a trick Laurence Sterne would probably have found useful had he been writing a couple of centuries later.
Gillian Dooley reviews 'The Inheritance of Ivorie Hammer' by Edwina Preston
The Inheritance of Ivorie Hammer
by Edwina Preston
University of Queensland Press, $29.95 pb, 336 pp, 9780702249211
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Gillian Dooley is an Honorary Senior Research Fellow in English at Flinders University, and a Visiting Fellow in the Music Department at Southampton University. Her publications include an edited book of interviews with Iris Murdoch (2003), V.S. Naipaul, Man and Writer (2006), J.M. Coetzee and the Power of Narrative (2010), and journal articles on a range of literary topics including music in the life and work of Jane Austen. In 2005 she co-edited Matthew Flinders’ Private Journal and in 2014 she published an edition of the correspondence between Iris Murdoch and the Australian radical philosopher Brian Medlin. She has been a regular reviewer for ABR since 2002. She is founding editor of the online journals Transnational Literature and Writers in Conversation.
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