Imagine the book as a repository of memories: to turn the pages is to remember. Fiction, in particular, encourages flipping back and forth through memory’s volume. An author’s life informs her fiction. Memories, personal and second-hand, play a pivotal role in the formation of narrative structures. In a début novel, it is not uncommon for the author to resort to childhood sources for inspiration, childhood being a country far enough removed from contemporary experience for imagination to override reality.
Francesca Sasnaitis reviews 'Sufficient Grace' by Amy Espeseth
by Amy Espeseth
Scribe, $29.95 pb, 336 pp, 9781922070029
Read the rest of this article by subscribing to ABR Online for as little as $10 a month. We offer a range of subscription options, including print, which can be found by clicking here. If you are already a subscriber, enter your username and password in the ‘Log In’ section in the top right-hand corner of the screen. If you require assistance, contact us or consult the Frequently Asked Questions page.
Francesca Sasnaitis is a PhD candidate in Creative Writing at the University of Western Australia and has recently completed her first novel, Summerlands, which is partially based on her family’s experience of World War II.
By this contributor
Leave a comment
Please note that all comments must be approved by ABR and comply with our Terms & Conditions.
NB: If you are an ABR Online subscriber or contributor, you will need to login to ABR Online in order to post a comment. If you have forgotten your login details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to email@example.com. We will review your comment and, subject to approval, we will post it under your name.