Fiona Hile reviews 'Rhinestone' by Ella O'Keefe, 'Metadata' by Amelia Dale, 'end motion/manifest' by Sian Vate, and 'Office of Locutions' by Kate Middleton
All writers need good bookshelves, but the poet, perhaps more than any other writer, is charged with the involuntary dispensation and relentless accumulation of reading material. This is partly due to the proclivities of the producers and partly due to the characteristics of the form itself. As the notable cultural critic Pierre Bourdieu remarked, poetry's effects d ...
Cassandra Atherton reviews 'The Hazards' by Sarah Holland-Batt, 'Conversations I've Never Had' by Caitlin Maling, 'Here Be Dragons' by Dennis Greene, and 'The Guardians' by Lucy Dougan
Contemporary Australian poetry has a complex and ever-evolving relationship with the land, both at home and abroad. Almost twenty-five years post-Mabo and entrenched in ongoing ecological crises, Australian poets explore new ways of experiencing and defining place. Where misguided nationalism sought to limit Australian poe ...
People who go in for the arts are often advised Don’t give up your day job. But what’s a suitable day job for a poet? A century ago many Australian poets made a meagre living as freelance writers for newspapers and magazines. Some even took up journalism full-time, writing their verses on the side. The old Bulletin, one of the wellsprings of Austra ...
Outcrop: Radical Australian Poetry of Land edited by Corey Wakeling and Jeremy Balius
Australian Poetry Journal: Beginnings edited by Bronwyn Lea
Starlight: 150 Poems by John Tranter & The Salt Companion to John Tranter edited by edited by Rod Mengham
Surely you can hear.
Shake off that silly hangover
while I part the curtains