Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Gail Jones

It is 1992, the year of the Mabo judgment, and Helen, a scholarship student from Tasmania, is undertaking a PhD at Cambridge, writing a thesis titled ‘Cryptomodernism and Empire’. It is on Joseph Conrad, a writer about whom her peers are contemptuous. Helen is dealing with a forlorn and dismissive supervisor, and the disappointment that her experience abroad was not what she had expected. Her ‘fantasy of vigorous literary talk, multisyllabic and theoretical, was soon defeated’.

... (read more)

Early in Gail Jones’s novel Black Mirror (2002), an Australian artist dives into the Seine to retrieve a bundle that may contain a drowning baby. Before rising to the surface, she experiences a kind of epiphany in the face of possible death – ‘a willed dissolution, a corrupt fantasy of effacement’. Later she revisits the experience in dreams, swimming through a surrealist underworld of discarded bric-a-brac: plainly, a metaphor for dreaming itself, as an act of plunging into mental depths and searching for hidden treasures.

... (read more)

In 1917, at the height of World War I, a fire destroyed the Greek city of Salonika (Thessaloniki), a staging post for Allied troops. The centre of an ‘Ottoman polyglot culture’, Salonika was at the time home to large numbers of refugees, many of them Jewish and Roma. It was in one of the refugee hovels that the fire started, an ember from a makeshift stove igniting a bundle of straw. From that single ember grew an inferno that burned for thirty-two hours, obliterating three-quarters of the city and leaving 70,000 people – by some estimates half the population – homeless.

... (read more)

The novels of Gail Jones present a challenge to would-be critics. Jones being a formidable scholar in her own right, her eight novels to date pose sophisticated philosophical questions within their elegantly structured narratives. Her novels canvass aspects of human experience that are murky and complex: these are often forms of familial or romantic relationship shaped by loss, both personal and historical. The challenge for critics is that the novels are themselves thinking about the potential of fiction to do this kind of philosophical or ethical work. In this sense, Jones might seem to be one step ahead of the scholar who takes her work as their subject. Inner and Outer Worlds, a collection of essays edited by Anthony Uhlmann, steps up to this challenge.

... (read more)

Gail Jones’s new novel, Our Shadows, provides readers with another virtuoso performance, showing a writer fully in control of her medium. It is a poetic and beautifully crafted evocation of shadowy pasts whose traumatic effects (in the world and in individual lives) stretch deep into the present and the future.

... (read more)

Gail Jones’s beautifully crafted narratives invite and reward careful reading. All her work bears the mark of her formidable intellect. Yet her texts don’t show off: they assert the primacy of embodied experience and interpersonal relationships as much as the inner life of the mind. They provoke you to attend to their many layers of meaning, often requiring at least two readings (and some research) to fully grasp their complexity. But the reader’s reward is in the ‘ah’ moments when, for example, an image takes on particular resonance or an idea emerges from the text’s depths. It is to these intricacies that Tanya Dalziell’s monograph, Gail Jones: Word, image, ethics, turns its attention.

... (read more)

We invited some writers, film critics, and film professionals to nominate their favourite film – not The Greatest Film Ever Sold, but one that matters to them personally.

... (read more)

Noah Glass is dead, his fully clothed body discovered floating face down in the swimming pool of his Sydney apartment block, early one morning. Born in Perth in 1946, father of two adult children, widower, Christian, art historian, and specialist in the painting of fifteenth-century artist Piero della Francesca, Noah has ...

... (read more)

Let's start with the title. The act of reading is anything but simple, as Fiona McFarlane and Gabrielle Carey both point out. Eyes, brain, and mind cooperate to create from a series of symbols with no intrinsic representative value a coherent message, or some amusing nonsense, or a persuasive argument, or a boring anecdote, or a parade of transparent lies.

D ...

I sit in a safe room with the winter sun on my back and read of violence and menace in an icy city. Gail Jones’s Berlin is so bleak and the novel’s dénouement so shattering that I need that brief benign warmth. This is not, I hasten to protest, a spoiler: the book begins by foreshadowing a scene of guilt, shoc ...

Page 1 of 3