Brenda Niall reviews 'March' by Geraldine Brooks

Brenda Niall reviews 'March' by Geraldine Brooks


by Geraldine Brooks

Fourth Estate, $29.95 pb, 352 pp, 0732278414

Spacious and solidly constructed, the classic nineteenth-century novel invites revisiting. Later writers reconfigure its well-known spaces, change the lighting, summon marginal figures to the centre. Most memorable, perhaps, is Jean Rhys’s Wide Sargasso Sea (1966), in which the first Mrs Rochester, the madwoman in the Thornfield attic, is allowed a voice and a history. She tells a story very different from the version her husband gives to Jane Eyre. The more familiar the text, the greater the lure of revisioning. Tom Stoppard’s brilliant take on Hamlet, in Rosencrantz and Guildenstern Are Dead (1966), turns tragedy into absurdist comedy.

In her new novel, March, Geraldine Brooks takes Louisa May Alcott’s Little Women as her starting point. Refashioned, it retains very little of the sedate, warm-hearted domestic story that has been a children’s classic since first publication in 1868. Like Brooks, I read Little Women as a ten-year-old. I must have reread it many times, so clearly and accurately does memory now retrieve its words and situations. The four girls, Meg, Jo, Beth, and Amy, are still vividly present. Meg, whose failing is vanity, behaves badly at a party and is punished when she sprains her ankle. Rebellious Jo sells her hair (‘her one beauty’) to help in a family crisis. Saintly Beth catches scarlet fever from the poor family she visits with baskets of food. Wilful Amy, forbidden to go out skating, disobeys and falls through the ice. The moral system is always clear, and the happy ending guaranteed.

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Published in April 2005, no. 270
Brenda Niall

Brenda Niall

Brenda Niall’s writing career began during her time as an academic at Monash University, where she was Reader in the Department of English. Since 1995 she has been writing full time. Her books include award-winning biographies Martin Boyd: A Life (1988), Georgiana (1995), The Boyds (2002), Judy Cassab (2005), and a memoir, Life Class (2007). Her book The Riddle of Father Hackett was shortlisted for the 2010 Magarey Medal for Biography. She is a frequent reviewer for The Age and ABR, and has been a guest at the Melbourne, Sydney, Adelaide, Brisbane, and Byron Bay literary festivals. In 2004 she was awarded an AO for services to Australian Literature. Her latest book is Can You Hear the Sea? My grandmother's story (Text Publishing, 2018).

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