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National Library of Australia

Frank by Jordie Albiston

by
May 2023, no. 453

The Australian photographer Frank Hurley, who accompanied Antarctic expeditions led by Douglas Mawson and Ernest Shackleton, proved to be an able diarist as well as a skilful and adventurous photographer. While Hurley participated in a number of expeditions – as well as serving as an official war photographer in both world wars – the late and much missed poet Jordie Albiston has drawn on Hurley’s diaries from Mawson’s sledging trip of November 1912 to January 1913 and Shackleton’s Imperial Trans-Antarctic Expedition of November 1914 to September 1916 for what has become her fourteenth and final poetry collection.

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'I hear that those new people have decided to have books in their library,’ remarked Edith Wharton disdainfully. That put-down, from an eminent novelist and book lover who was also a wealthy member of upper-class New York society, was delivered without ambiguity in the 1920s. The ‘new people’ were using books as interior decoration. They would never disturb the display of handsome volumes in their unused library by taking one from the shelf. Could they even read? Probably not, Wharton thought: they had been too busy making money.

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After she left journalism, Patricia Clarke turned to researching and writing books, beginning with The Governesses in 1985. Bold Types is her fourteenth book. The Canberra writer was a familiar figure at media history and other conferences, and in the National Library of Australia reading rooms, until Covid-19 at least. Her books, augmented by dozens of articles and conference papers, focus mainly on the lives, careers and letters of Australian women, especially writers and journalists. Clarke also writes about the history of her city, Canberra, an interest reflected in some of the fourteen entries she has produced for the Australian Dictionary of Biography. The ninety-six-year-old has devoted nearly ‘half a lifetime’ (to borrow the title of one of her tomes, about Judith Wright) to historical endeavours.

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Audrey Tennyson, in a letter to her mother in January 1903, wrote: ‘About my letters … would you ask somebody to buy at Harrods a japanned tin box for holding them … the great thing is to keep them together as if they are in several places they are likely to get put away and forgotten. I am afraid they won’t be worth publishing but they may be of great interest to the boys some day – and Hallam might perhaps make use of them for a book on Australia.

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Beyond 40 by Jeff Busby (photographer) & A Collector's Book of Australian Dance by Michelle Potter

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April 2003, no. 250

Here are two sumptuously produced keepsakes serving very different purposes. Beyond 40 describes itself as ‘Forty Years of Dreams’, but actually offers one year’s worth of images that the Australian Ballet want to project. A Collector’s Book of Australian Dance, on the other hand, for all its unintoxicating title, comes much closer to being a book of dreamings.

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Here we have the first intimations of the coming flowering of the Donald Friend diaries, which are to be published by the National Library with support from Morris West’s benefaction. Friendliness was not always the same as ugliness or cleanliness when he was alive. So, it is somehow comforting that two Australian artists, so different from each other in lifestyle, should after their deaths find common cause.

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Story Time: Australian Children’s Literature

National Library of Australia
by
03 December 2019

Like a party where you hope to see famous faces, this exhibition offers the familiar – the Green Sheep, the wombats, the Magic Pudding – but also the chance to meet half-remembered friends and to make new ones. Story Time: Australian Children’s Literature, the result of three years’ work by curator Grace Blakeley-Carroll, features works from NLA’s collection and beyond. In the exhibition’s companion book, Story Time Stars, Blakeley-Carroll writes that, ‘regardless of whether we have children in our lives, we were all once young and many of us hold dear the stories of our childhood’.

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What does it mean to really know an ecosystem? To name all the plants and animals in a place and understand their interactions? To feel an embodied connection to Country? To see and hear in ways that confirm and extend that knowledge?

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Nowadays, with relentless advertising and a seemingly endless number of choices to confuse our every purchase, often only a click away from gratification, it might be tempting to imagine a time when things were simplerand retailing less pressured and more genteel. However, one would have to go a long way back in time to find an Australia without shops; indeed, to before 1790, when Sydney’s first recorded shop appeared. Indigenous Australians had traded commodities for thousands of years, but the European settlers brought thenotion of a cash transaction to the continent, even if, in the early days of settlement, a lack of liquidity led to bartering goods.

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The white explorers who first penetrated the interior of this continent were exceptional men. White Australians of the time considered them heroes, performing an essential role in identifying opportunities for exploitation, settlement, and commerce. Mostly, the explorers were heroic – determined, tough, single-minded, and stoic in the face of enormous hardship. They also needed bushcraft, that elusive ability to ‘read’ the landscape, the weather, vegetation communities, and animal behaviour, so as to improve the quality of the daily judgements needed for survival. Success under these conditions requires a clear vision and a strong, intelligent, and organised leader. John McDouall Stuart and Augustus Gregory come to mind as examples; Robert O’Hara Burke does not.

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