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Between the mid-1940s and the late 1960s, Mohammed bin Laden fathered fifty-four children (twenty-five sons, twenty-nine daughters) from an assortment of wives (he married twenty-two times). It should hardly surprise that such a large group included several extreme personalities. The eldest son, Salem, channelled his manic energy into aeroplanes, cars, girls and the good life. The eighteenth son, Osama, born in 1957, chose a very different path. This would eventually leave New York’s skyline smouldering, Osama repudiated by his family and disowned by his country: a ‘black sheep’ in a league of his own.

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In a recent column in the Australian, George Megalogenis looked back to Arthur Fadden’s budget of 1952 as a possible comparison with the current financial situation. Few political scientists, let alone journalists, display this sort of historical memory. In 2006, Megalogenis published The Longest Decade, an account of the combined years of Paul Keating and Howard, based upon extensive interviews with the two leaders. The book was reviewed in ABR by Neal Blewett (November 2006), who regarded the book as a useful ‘bullshit detector’ on his newspaper colleagues, whose political journalism appeared in The Howard Factor that same year.

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The train to Leura early Sunday morning
and our compartment full of total strangers,
Russian-speaking hikers, boots and shorts,
and four Americans, I’d say, late sixties,
calling out the stations as they pass:
‘Melbourne was more interesting than this’,
‘The trees looked better across Portugal’,
‘I want to see a kangaroo today’.

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Chameleons are the ultimate multi-taskers. With distinctive eyes that can rotate and focus separately, these fascinating creatures can spot future trends while winking a fond farewell to past achievements. They can blend in with their surroundings if the mood takes them, or they can adopt a crimson flush to underscore their need to communicate. And when they write, they publish five books across several genres in one year, and look just like Sean Williams.

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'These stories were all written on the 7.22 between Normanhurst and Central,’ reports the author. I find it eminently pleasing to learn that a writer is so driven to create that he will suffer through even the lurching ignominies of train travel to get words on the page. It speaks of a higher purpose, one that most commuters, hard-wired to their iPods or up to their eyeballs in Sudoku, will never recognise. So, hats off Mr Gaunt, for bucking the trend. His stories – there are three in this collection – all bear the mark of a writer with an instinct for narrative; they are the right shape.

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Going Down Swinging: No. 26 edited by Steve Grimwade and Lisa Greenaway

by
July–August 2008, no. 303

A journal with an ego, Going Down Swinging (GDS) is not afraid of blowing its own trumpet. There are two editorials: Steve Grimwade’s, written in the voice of his infant son, claims that GDS is the ‘finest literary journal on the planet’ – but this is cheeky enthusiasm, not arrogance. Lisa Greenaway’s editorial is best summed up thus: ‘we want the people who never pick up a literary magazine to pick up GDS’.

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Detective Rubens McCauley has recovered almost fully from a gunshot wound suffered while exposing corrupt Melbourne cops: see Head Shot (2005). Colleague Cassie Withers supports McCauley, but his superior officer wishes him elsewhere. His private life teeters on the brink: he has neglected his mother who suffered a stroke; he has unresolved issues with his father; his brother wants him to counsel his niece about the dangers of party drugs; and he hopes to revive his relationship with his estranged wife.

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Blast reinvented itself as a poetry-centric magazine in March 2005, and is now something akin to the Chicago-based Poetry – a lot of poetry, followed by critical writing about poetry – though Blast is shorter and Australian. Like Poetry, it is an upper-echelon affair, born from a philosophy of quality. The problem with the new Blast, for better or for worse, is that many of the same names keep coming up. Kevin Brophy, Jan Owen, Michael Sharkey and Leon Trainor have featured in four out of seven editions. Elizabeth Campbell, Bruce Dawe, Mike Ladd, Paul Magee, John Jenkins, Philip Salom, Petra White appear in three out of seven. The problem, you ask? They are all good poets!

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And midway through the first course
of pickled fish in the restaurant
by the river that night
slid a black on black
barge
under the brilliantly lit
bridge

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Andrew Rotter does not usually write about nuclear weapons. The Colgate University Charles A. Dana Professor of History is known for his works on twentieth-century American diplomatic history. He was approached, ‘out of the blue’, by David Reynolds in the summer of 2001, just before the attack on the Twin Towers. Reynolds, well known for his writings on the so-called ‘special relationship’ between the two English-speaking powers on either side of the Atlantic, was advising Oxford University Press on its series of the significant events of the twentieth century. Few events were more significant than the use of a nuclear weapon on Hiroshima in August 1945.

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