States of Poetry Victoria
There’s plenty to crack onto, he says, a laundered Valkyrie stomps the DIY:
I reconstitute in the shed, my notes can hit the rafters,
no-one’s selfing over it, like upstairs
on their asbestos balustrade,
a tick-off at the slightest, though their kid
chatters and bounces on the planks.
At last summer rises on a blue cactus.
Without, it’s crumpled outside ...
As her to you, unhurried,
pair formations addle a skyline,
extrovert welcoming traffic, selfless despot on the inner.
Even so, his pin-cushioned face glues to the backdrop’s nest of wombats.
The city changes from one skyscraper and slate
to the creek’s bag-junked ripple,
decisive formaldehyde splitting a cloud’s anagram of discontent,
replacing slouched ...
(Idyll II, Theocritus)
Where are my bay leaves and charms, my bowl with crimson flowers
while him inexorable
has gone from my bed like a dress
Distance: spells of fire wreathe you
Shine on this spin or grave
As sight stunned me
Wheel of brass turning from my door
Now wave is still and ...
You long for night to push away injunctions and sodalities,
sky’s hexagon clouds,
as veins lined with velvet straighten the road and undone casket
and morning’s birds click through dream.
Rest your eyes on the road like an inn,
bundled rubbish a corpse on the nature-strip.
You take the waters.
You embrace a door.
Snaked fields welter through molecu ...
have their own special nook nearby,
under that blackwood.
In memory of Graham Little
The forms in which I’m able:
Although invited, I‘ve declined
A pizza at ...
hangs an off-grey trunk – odd word –
more than the puny dangling tail
marking this leatherjacket.
So much overcoat in our tropics, then?
But why is any creature as it is?
shipping creatures from those Turkish hil ...
scratching their heads and hairy armpits.
So like them it was,
well, sort of
but ever so ...
stared into from a cabin up above:
snowy cloud-sonata which then
recedes into softness
with its airy iceberg flocks
counterpoint, say, but can’t
feed serious fiction for
the yarnspinner has to eat
the heavy middle of our sand ...
Chris Wallace-Crabbe AM is the author of more than twenty collections of poetry. His most recent books of verse include The Universe Looks Down (2005), and Telling a Hawk from a Handsaw (2008). He is Professor Emeritus in Culture and Communication at Melbourne University. Also a public speaker and commentator on the visual arts, he specialises in ...