Sally Muirden’s second novel sits well with her first, Revelations of a Spanish Infanta. In each case, the author works through an elaborate historical lens to construct a multi-layered narrative in which the focus is the intimate life of a woman.
In We Too Shall Be Mothers, the dominant narrative operates as a picaresque and dreamy fairy tale in which the life journey of Marie-France, a young ... (read more)
Carmel Bird
Carmel Bird is the author of Writing the Story of Your Life (2007). Her recent novel is Child of the Twilight (2010), and her children’s picture book Fabulous Finola Fox has just been published.
Metempsychosis is the transmigration of a soul at death into the body of another being. The plot of this novel turns neatly on an incident of metempsychosis. I don’t wish to explain what happens, because one of the charms of the book lies in that moment, and readers must be free to enjoy it.
Maurilia Meehan is a playful writer, one who invites her readers to enter into a game with her. The basi ... (read more)
Who made the best Sachertorte in the world? Andrew Riemer’s mum. The recipe is lost now, but it came from the Ursuline nuns in Sopron, a small Hungarian town where Andrew Riemer’s mother grew up. This information comes early in The Hapsburg Cafe, which is an account of the author’s second visit to the places of his childhood (the first account being recorded in Inside Outside). I waited and ... (read more)
One of my all-time favourite short stories, ‘The Shipwreck Party’, opens this volume of Collected Stories. Any book of short pieces invites readers to enter wherever they like. I decided to start at the last piece and work backwards so that I could end up with my old favourite. The pace, structure, rhythm, images, restraint, wit, irony, and tone of this short narrative always work their magic ... (read more)
One of the principal characters in much of Thea Astley’s writing is Queensland. ‘An intransigent fecundity dominated two shacks which were cringing beneath banana clumps, passion-vines, granadillas.’
There’s a lot of sad poetry about the place; and the distances that separate us, I mean the physical distances, are like verse-breaks in a ballad; and once, once we believed the ballad migh ... (read more)
‘I’d spent my childhood and adolescence on this sandy moonscape. I was sure I had something to say about it. I just didn’t know what.’ The book is Robert Drewe’s response to that thought. It is, as he says, a portrait of a place and time. The place is Perth; the time the fifties; the portrait is so very sharp, atmospheric, brutal, and deeply moving. There is a strange and haunting sweetn ... (read more)
When I read fiction I want the words to take my spirit into the places beneath the surface of the everyday world. I want the freshness of dreams to be again revealed to me. I want to know the loveliness and terror of what lies beyond the last star, of what lies sweetly cradled in the blood and juices of the human heart. I long to feel the shock when the tulip spikes the damp soil, feel the blissfu ... (read more)
Until I reviewed Marion Halligans novel Lovers’ Knots, I didn’t really know much about what a lover’s knot was. And now I know more than I used to know about the word ‘cockle’.
Quite simply, the cockles on cockle shells are the distinct ribs, and since the ventricles of the human heart resemble in some ways the shape and ribbing of the shells of scallops, we have the expression ‘cockl ... (read more)
World War I is lodged in the minds of Australians with mythic power. Chris Womersley, in plain and startling yet tender and lyrical prose, has constructed a moving narrative that opens up the wounds of war, laying bare the events that pre-date the conflict and reach forward into the collective memory. I was reminded of A.S. Byatt’s recent novel The Children’s Book (2009), which also foreground ... (read more)
Grand Days is volume one of Frank Moorhouse’s Palais des Nations novels, and is connected to the author’s previous works Forty-Seventeen and The Electrical Experience by the characters of Edith Campbell Berry and George McDowell. The principal narrative of Grand Days goes on for 500 or so pages, and is followed by some thirty pages of notes and explanations which form another narrative. The mo ... (read more)