Frank Bongiorno

Has the Australian prime minister’s job become impossible? The authors of The Pivot of Power: Australian prime ministers and political leadership 1949–2016 ask this question at the very end of their book. They conclude on an almost utopian note, one rather out of keeping with the otherwise judicious tone maintained over ...

Paul Keating claims that he wanted to arrest John Kerr. There were perhaps two points at which Kerr might justly have been taken into custody. There was the critical moment just after he handed Gough Whitlam the letter sacking him. Margaret Whitlam wondered why her husband had not simply slapped Kerr across the face ...

n 2004 the Indonesian foreign minister, Nur Hassan Wirajuda, learned that Australia had established a 1000-mile maritime exclusion zone as part of its asylum-seeker policy ...

Late in 1986, the Australian Bicentennial Authority took sixty celebrities off to Uluru to make the television advertisement containing the jingle ‘Celebration of a Nation’. Just as the shoot finished, a heavy storm broke, prompting the stars to run for cover. ‘Oh, darling,’ cried Jeanne Little, a popular television personality at the time. ‘The real Australia’s quite frightening, isn’t it?’

If the London Australian expatriate community has an aristocracy of sorts – as it clearly does – then Geoffrey Robertson QC and the novelist Kathy Lette, his wife since 1990, would be among its leading nobility. Robertson and Lette mix with royalty, both real and literary (‘our daughters had been flower girls at Salman’s wedding – I can’t remember which one’). I would love to have been present when Robertson advised Diana, during her affair with James Hewitt, that the Treason Act of 1361 laid down the death penalty for any party to adultery with the wife of the heir to the throne. Did she blush or blanch?

Tony Moore’s engaging account of Australian bohemians begins with Marcus Clarke and takes us through to Julian Assange. Along the way we encounter Australian bohemia in its diverse expressions, from the art of the Heidelberg School, writing of the Bulletin, high jinks of 1920s Sydney bohemia to the Sydney Push, Melbourne Drift, 1960s counterculture (in both its local and London expatriate manifestations), cultured larrikins of 1970s ‘new nationalism’, punk, post-punk, and much else. Here is the historian as impresario, assembling an extraordinary cast across 150 years of Australian cultural history. To bring them all together without producing an inedible stew is a major achievement in itself.