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Non Fiction

The novel begins with the burnished quality of something handed down through generations, its opening lines like the first breath of a myth. Seductive in tone and concision, charged with an  aura of enchantment, the early paragraphs of George Johnston’s My Brother Jack (1964) do more than merely lure the reader into the narrative. In these sentences, Johnston reveals the conviction and control of a master storyteller who, at the outset, establishes his ambition and literary lineage:

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Wilhelm II, German Kaiser and King of Prussia, may be a shadowy figure for Australian readers, better known as the butt of funny-scary caricatures in British World War I propaganda or of black humour in popular soldiers’ songs, than as a political player in his own right. He remains enigmatic even for scholars. Some hand him the burden of responsibility for World War I, despite the immediate trigger being the military standoff between two other states altogether, Austro-Hungary and Serbia. Others see him as an incompetent figurehead who merely rubberstamped the territorial ambitions of the German military.

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In a recent Prospect interview, distinguished Princeton and ANU scholar Philip Pettit described political philosophy as a conversation around various themes. Some voices focus on power or freedom, others on democracy or the nature of the state. The conversation should extend beyond the academy, argued Pettit, to embrace public intellectuals, journalists, commentators, political scientists, activists, and government.

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Menzies at War by Anne Henderson

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August 2014, no. 363

Prime ministers seem to value longevity, whether it is Bob Hawke relishing the fact that he served longer than John Curtin and Ben Chifley combined, or John Howard relishing that he served longer than Hawke. But no prime minister is likely to serve as long as Robert Menzies’ sixteen years as prime minister from 1949 to 1966. His record is even more impressive when his earlier term (1939–1941) is included.

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The Commonwealth Games, like the Commonwealth of Nations, often seem irrelevant. I intended to declare my bias in this review when I found author Brian Oliver saying the same thing on the first page of his introduction. But, as the author points out, the Games have survived the political, cultural, and sporting odds for more than eighty years and have a rich sporting history.

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To take to the road on a bike, especially if you are a solo female cyclist, is to make yourself vulnerable, submitting yourself to hours of muscle-taxing solitude and reliance on the kindness of strangers. But while slower and physically more arduous than other modes of transport, cycling brings you closer to your surroundings. It offers different perspectives and unexpected insights.

ABC Classic FM breakfast presenter Emma Ayres’s Cadence recounts her ride on a Cannondale named Vita from Shrewsbury to Hong Kong with her violin (Aurelia) strapped to her back. Part memoir, part travel writing, Cadence is more than an account of an intercontinental cycling voyage. It is a coming-of-age story that turns on the trope of ‘[c]adence in music, cadence in cycling, cadence in speech’, narrating Ayres’s evolution as a professional musician, a serious amateur cyclist, and a radio broadcaster.

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Just over twenty years ago, an academic tome captured the West’s imagination. The End of History and the Last Man (1992) by Francis Fukuyama followed fast on the heels of the collapse of communism. Giving voice to the triumphalism and hope of the times, it became an immediate bestseller. History, Fukuyama argued, was over. This was because the West had won the long ideological battle over which configuration of political economy could best manage the twenty-first century, and beyond. Western-style free markets and liberal democracy would now spread across the world, creating stability and opportunity for all in their wake.

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Granta 127: Japan edited by Yuka Igarashi et al.

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August 2014, no. 363

Granta’s recent offering, a special edition devoted to Japan, is a brilliant homage to Japanese wabi sabi. Editor Yuka Igarashi has selected stories and artwork that challenge the tired stereotypes of Nippon to deliver a series of powerful works exploring wabi sabi’s investment in what Andrew Juniper has identified as ‘impermanence, humility, asymmetry and imperfection’.

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Science may well have revolutionised our world, but David Knight finds ‘revolution’ to be an inexact metaphor for the ‘chancy, many stranded story’ he describes. He explores models from biography, with associated concepts of infancy, adolescence, and maturity, before settling on voyages of exploration and discovery. This choice is inspired in part by Newton’s self-portrait of playing on the shore before a great ocean of undiscovered truth, and Wordsworth’s subsequent poetic expansion of Newton ‘Voyaging through strange seas of Thought, alone’ for all eternity. Indeed, voyaging in strange seas provides a much more resonant and nuanced metaphor than the more common (and perhaps more marketable) revolutionary subtitle.

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Forty years ago next Christmas, a cyclone devastated Australia’s northernmost city, Darwin. It is a disaster still clear in the living memory of most Australians over fifty, but it also belongs to the past, the time before we had become aware of climate change. At the time, it was the kind of natural disaster to be expected in summer in the Top End, even if its festive timing appeared ominous in some mysterious way. There have been government reports, memoirs, books, and documentaries about Cyclone Tracy. Forty years appears long enough for an event to become history, but the cyclone has not yet become integrated into a significant national narrative.

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