Richard Mills

Summer of the Seventeenth Doll 

Ben Brooker
Monday, 16 November 2020

It gives some indication of the relative youth of Australian theatre that Ray Lawler, author of the watershed 1955 play Summer of the Seventeenth Doll (‘The Doll’ for short), is still alive. Ninety-nine years old, he apparently even had a hand in this production, just the second staging of Richard Mills and Peter Goldsworthy’s largely faithful operatic adaptation. Premièred by Opera Victoria in 1996, then remounted by Opera Australia two years later, the opera has not been performed since. It has now been dusted off, with minor changes made by composer–conductor Mills, by State Opera South Australia as part of its three-year ‘Lost Operas of Oz’ project. It’s a mark of Anglo-Australian culture’s immaturity, too, that it remains restless and amnesiac, almost wilfully ignorant of the past in its perpetual quest for the ‘next big thing’.   

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