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Clare Monagle

To celebrate the year’s memorable plays, films, television, music, operas, dance, and exhibitions, we invited a number of arts professionals and critics to nominate their favourites.  

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The Seagull 

Sydney Theatre Company
by
27 November 2023

The setting is a country property somewhere in parched wheatbelt Australia. It is a four-hour drive from the city, with patchy phone reception. In Andrew Upton’s adaptation of Chekhov’s The Seagull, the character’s names remain the same, but we find Irina, Constantin, and Boris et al. in twenty-first-century Australia, dealing with mozzies and moaning about the internet, or lack thereof.

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Do Not Go Gentle 

Sydney Theatre Company
by
31 May 2023

Do Not Go Gentle, presented by the Sydney Theatre Company, is a marvel of a play, and this is a marvel of a production. Patricia Cornelius’s words, spoken by Scott of the Antarctic and his ragtag bunch of fellow travellers, are poetic, quixotic, trenchant, and potent. The liminal space offered by the ice and the snow of the setting takes the characters deep into their own psychic extremities. They become ruminative, playful, despairing, and libidinal as they encounter the limits of their physical and emotional capacities. They yearn for the ever-elusive South Pole, seeking to reach an end that promises liberation and obliteration.

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Julia 

Sydney Theatre Company
by
17 April 2023

First things first, the audience loved it. As Julia Gillard, in a performance that blended naturalism and impersonation, Justine Clarke held the crowd in the palm of her hand. They swooned and sighed to the wholesome depiction of Gillard’s working-class Welsh parents and cackled at the pleasurable jokes made at the expense of Kevin Rudd, Mark Latham, and John Howard.

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Has anyone else been chuckling upon hearing the words ‘Charles III, king of Australia’? In my household, the movie Anchorman is a sacred text, and its buffoonish 1970s news anchor protagonist Ron Burgundy is our holy fool. So devoted is our fandom that we own the Anchorman out-takes DVD. In one scene that was cut, the ambitious and glamorous television journalist Veronica Corningstone confides to Burgundy that she dreams of being the first female network news anchor.

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