Belvoir St Theatre

'My Brilliant Career' (Belvoir) 

Polly Simons
Monday, 14 December 2020

My Brilliant Career may not be Belvoir’s first post-pandemic show, but it’s surely the most joyous. Hot on the heels of a government exemption raising audience numbers to seventy-five per cent capacity, the mood on opening night was exuberant – almost as exuberant as Sybylla Melvyn, My Brilliant Career’s impossible yet impossible-not-to-love protagonist.

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Jesus Wants Me for a Sunbeam 

Susan Lever
Tuesday, 11 February 2020

I made the mistake of rereading Peter Goldsworthy’s 1993 novella before seeing Steve Rodgers’ adaptation of Jesus Wants Me for a Sunbeam at Belvoir St Theatre, so I knew the play’s advertised surprise ending and may have been resistant to its emotional charge. At its première production for National Theatre of Parramatta at the Riverside Theatre in 2018, it was said to reduce audiences to tears. Some audience members could be seen wiping their eyes after the opening night performance at Belvoir.

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Packer & Sons 

Ian Dickson
Thursday, 21 November 2019

You would have to be living under a rock the size of Uluru not to be aware of the reassessment of the masculine sense of dominance and entitlement that is sweeping the Western world at the moment. From an American president who has openly boasted of assaulting women to a member of the royal family who, in an interview about his relationship with a notorious paedophile, blithely ignores the damage that this man and his cohorts inflicted on young women, we have seen a stunning lack of empathy towards the less powerful and well connected. In the business world, some consider this to be a requisite for success. It has become something of a truism to claim, as does Jon Ronson in his controversial book The Psychopath Test, that a high percentage of CEOs have psychopathic tendencies.

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Life of Galileo (Belvoir St Theatre) 

Ian Dickson
Friday, 09 August 2019

You plan to present a new radical production of Hamlet. But it’s a long play and you only have a small cast. It will need a fair bit of pruning and you’ll have to lose some characters or at least reduce their importance. You will leave in the soliloquies of course, but Rosencrantz and Guildenstern can go, as can the players ...

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Letters to the Editor - December 2016

Wednesday, 23 November 2016

Parallel importation

Dear Editor,
I’d like to thank Colin Golvan QC for his intelligent, articulate, and well-argued response to the Productivity Commission report’s proposed changes to parallel importations and fair use, published as both a podcast and a brief commentary by ABR (November 2016 ...

Faith Healer (Belvoir St Theatre) ★★★1/2

Ian Dickson
Friday, 28 October 2016

Brian Friel’s play Faith Healer is now considered to be, if not his masterpiece Translations (1980) probably takes that distinction at least one of his most successful works, but it took a while before its sneakily subverted approach to truth and illusion was appreciated. Its 1979 Broadway première ...

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Twelfth Night ★★★1/2 (Belvoir St Theatre)

Ian Dickson
Monday, 01 August 2016

In his introduction to the Folio Society edition of Twelfth Night, Peter Hall describes the play as a transitional work. Moving on from the light-heartedness of A Midsummer Night's Dream, in Twelfth Night Shakespeare mixes grief and cruelty in with the comedy. We are advancing towards ...

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Mother Courage and Her Children (Belvoir St Theatre)

Ian Dickson
Monday, 15 June 2015

As our government prepares to increase our involvement in a Middle Eastern disaster we should never have taken part in, Brecht’s Mother Courage and Her Children seems more pertinent than ever.

The theatre of Bertolt Brecht has always pr ...

The fifty-seventh summer of Ray Lawler’s great play

John Rickard
Wednesday, 01 February 2012

‘This harsh, cawing, strongly felt play’

by John Rickard



I first saw Summer of the Seventeenth Doll in 1957 in London, of all places. I remember feeling some pride in seeing the symbolic kewpie doll presiding over the New Theatre in the heart of the West End. June Jago’s performance as Olive has stayed ...