Mark Dapin’s anthology, From the Trenches, is a timely but not opportunistic book. At more than 400 pages, it is long enough to suggest the sheer scale of the war and its centrality to European (if not world) history ever since. It samples all the relevant genres (letters, memoir, journalism, fiction, poetry) and offers a multiplicity of viewpoints (senior ranks, subalterns, NCOs, privates, and ... (read more)
Geoff Page
Geoff Page is based in Canberra. His books include 1953 (UQP 2013), Improving the News (Pitt Street Poetry 2013), New Selected Poems (Puncher & Wattmann 2013), Aficionado: A Jazz Memoir (Picaro Press 2014), Gods and Uncles (Pitt Street Poetry 2015), Hard Horizons (Pitt Street Poetry 2017) and PLEVNA: A Verse Biography (UWA Publishing 2016). He also edited The Best Australian Poems 2014 and The Best Australian Poems 2015 (Black Inc). His most recent books are in medias res (Pitt Street Poetry, 2019) and Codicil (Flying Islands Press, 2020)
Graeme Miles, born in Perth in 1976, has lived and studied in India and Europe, and now teaches Classics at the University of Tasmania. His work, though various, is highly distinctive. Much of it exists at the difficult-to-imagine intersection of philosophy, mythology, and surrealism. Its rhythms and cadences are highly accomplished; its erudition effortless and unpretentious.
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Although the Melbourne publisher Black Pepper has a stable of major Australian poets (Stephen Edgar and Jennifer Harrison among them), it is also a house that likes to take chances. The favourable reception accorded Homer Rieth’s 359-page epic poem, ‘Wimmera’, in 2009 was definitely a punt that paid off. The book was shortlisted for The Age Book of the Year and became an ABC television progr ... (read more)
David McKee Wright is a curious figure in Australian poetry – and in New Zealand poetry, for that matter. As editor of the Bulletin’s Red Page from 1916 to 1926, he was a well-liked and -respected figure in his own time (1869–1928), but he has seriously faded since. He is thinly represented in a number of anthologies, both here and in New Zealand, and was omitted altogether from Robert Gray ... (read more)