Kerryn Goldsworthy

'After the Academy' by Kerryn Goldsworthy

Kerryn Goldsworthy
Monday, 23 September 2019

At seven o’clock on the morning of 2 February 1999, I was due at the Memorial Hospital in North Adelaide to relieve my older sister at my mother’s bedside, where she had been all night. The alarm was set for six. At five-thirty, I was woken by the phone; my mother had died, as we had known for a couple of days that she would, from complications following a cerebral haemorrhage.

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Kerryn Goldsworthy reviews 'Other People’s Words' by Hilary McPhee

Kerryn Goldsworthy
Friday, 06 September 2019

‘The characters which survive,’ wrote Hilary McPhee at seventeen in the copy of Thomas Hardy’s The Return of the Native that she studied in her tiny matriculation class at Colac High in 1958, ‘are those who make some compromise with their surroundings ...

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Kerryn Goldsworthy reviews three books on Charmaine Clift

Kerryn Goldsworthy
Wednesday, 14 August 2019

‘AT NIGHT,’ wrote Charmian Clift one summer in the late 1950s on the Greek island of Hydra where she lived with her husband and children, where the harbour village had been invaded by summer tourists, where teams of local Greek matrons invaded the kitchen in relays to monitor the foreign woman’s housework and mothering techniques ...

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Kerryn Goldsworthy reviews 'Drylands' by Thea Astley

Kerryn Goldsworthy
Tuesday, 06 August 2019

Do not attempt to judge this book by its amazingly beautiful but iconographically confusing cover. A close-up photograph of a single leaf shows its veins and pores in tiny detail. The colours are the most pastel and tender of creamy greens. Superimposed over this lush and suggestively fertile image is the book’s one-word title: Drylands ...

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Kerryn Goldsworthy reviews 'Dreams of Speaking' by Gail Jones

Kerryn Goldsworthy
Wednesday, 10 July 2019

If you can say immediately what you think a novel is ‘about’, then the chances are that it may not be a very good novel. Fiction as a genre gives writers and readers imaginative room to move, to work on a vertical axis of layers of meaning as well as along the horizontal forward movement of narrative development ...

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Kerryn Goldsworthy reviews Fled by Meg Keneally

Kerryn Goldsworthy
Thursday, 23 May 2019

In 1961 the great Australian poet Judith Wright published an influential essay called ‘The Upside-down Hut’ that would puzzle contemporary readers. The basis of its argument was that Australia felt shame about its convict origins, and that we needed to move on. And we have: since 1961 the representation of the convict era in fiction and on screen has ...

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The first volume in this series, Beverley Kingston’s A History of New South Wales, was published in 2006. Since then another five have appeared, including a book on Tasmania by Henry Reynolds and another on Victoria by Geoffrey Blainey. Cambridge University Press may be proceeding with its ‘History of Australian States’ ...

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Something like a double helix of dialectical thinking winds its graceful way through these ‘eight lessons’. Ideas and theories about the nature of human (and other) life and how to live it, about the workings and the relative merits of logic, reason, belief, and faith, are sketched, rehearsed, debated, and set in ...

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Kerryn Goldsworthy reviews 'The Secret River' by Kate Grenville

Kerryn Goldsworthy
Monday, 04 March 2019

Kate Grenville is a brave woman. For some years now, the representation of Aboriginal people by white writers has been hedged about by a thicket of post­colonial anxieties, profoundly problematic and important but too often manifested as hostile, holier-than-thou critique, indulging, at its most inept ..

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Kerryn Goldsworthy reviews The Year of The Beast by Steven Carroll

Kerryn Goldsworthy
Friday, 22 February 2019

In his 2017 essay ‘Notes for a Novel’, illuminatingly added as a kind of afterword at the end of this book, Steven Carroll recalls a dream that he had twenty years ago. It was this dream, he says, that grew into a series of novels centred on the Melbourne suburb of Glenroy, a series of which this novel is the sixth and last. It was ...

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