When truth is stranger than fiction, fiction is a potent source of truth. In the first week of the Trump administration, sales of 1984 increased by 9,500 per cent, catapulting George Orwell’s sexagenarian novel to the top of global bestseller charts. As Kellyanne Conway recast White House lies as ‘alternative facts’ ...... (read more)
I am a girl who knows how to hold a gun. On weekends, Dad drives me out to the pistol club, while Mum pulls white-sapped weeds from the garden. She plants natives that can handle the salt in the air; angular, bristling plants with angular, bristling names: banksia, grevillea, bottlebrush. A line of Geraldton Wax along the verge to replace some mean and blighted ...
ABR News: Giveaways to Cat on a Hot Tin Roof , Slaughterhouse Five, and The Chaperone; Story of the Month; submissions open for fortyfivedownstair's Emerging Artist Award 2019; the ABR 2020 European tour; Vicki Laveau-Harvie wins the $50,000 Stella Prize 2019; applications open for The Australian/Vogel’s Literary Award; and more!... (read more)
To celebrate the best books of 2018, Australian Book Review invited nearly forty contributors to nominate their favourite titles. Contributors include Michelle de Kretser... (read more)
Inspirational Memoirs, Painful Lives, Real Lives – these were the polite terms, the labels you might find on bookshop shelves, but the term that stuck was Misery Literature. The books had plaintive titles like Tell Me Why, Mummy, and Please, Daddy, No, or single-word gut-punches like Wasted, Fractured, and Damaged ...... (read more)
‘Creative writing is, in sum, as American as baseball, apple pie and homicide.’
Mark McGurl, The Program Era (2009)
My rejection from the Iowa Writers’ Workshop arrived by mail. Iowa was steadfastly old-fashioned: there were no online portals or login codes at the near-mythical mothership of American fiction; no emails or text ...
In a cheerless London basement, a young man sifts through the bureaucratic detritus of World War II: ‘to unearth whatever evidence might still remain of actions that history might consider untoward’. The project is called ‘The Silent Correction’ – a furtive dimming of the national memory. Warlight, Michael Ondaatje’s effulgent new novel, is a story of half-lights and half-truths – a novel of matchlight, gaslight, limelight and moonlight, sodium light and storm light, bonfires and bomb-fires ...... (read more)
You have come to see a magic show. You arrive at the theatre, take your seat. Before the show begins, the magician steps onstage in his street clothes and explains what you are about to see; where the mirrors are hidden – every trapdoor, false bottom, and wire. When the lights go down, impossibly – even after everything you ...... (read more)
Peter Rose spoke to Beejay Silcox, recipient of Australian Book Review Fortieth Birthday Fellowship, about developments at ABR since the revival of the magazine's second series in 1978. Beejay also discusses her Fellowship essay, 'Defying ...
Moments began as medieval measures, the time it took for a sundial’s blade of shadow to shift – ninety seconds or so, depending on the season. A slice of sunlight. A moment now carries cultural as well as temporal weight. A slice of spotlight. Increasingly, we speak of our present as a moment, as if its minutes are sprung ...... (read more)