Almost twelve years after her death, Bronwyn Oliver (1959–2006) remains one of Australia’s best-known sculptors; her artistic legacy supported by the prolific outputs of an intense and high-profile studio practice across three decades, by public, private, and corporate commissions, and by a string of prizes, awards, and fellowships ...... (read more)
Susan Sheridan reviews 'Elizabeth Harrower: Critical essays' edited by Elizabeth McMahon and Brigitta Olubas
The appearance in 2014 of In Certain Circles, a new novel from Elizabeth Harrower, was an important literary event. The author, who still lives in Sydney, had published nothing since 1966 and had repeatedly maintained that she had nothing more to say. In Certain Circles had been ready for publication in 1971 ...... (read more)
Shirley Hazzard is probably the most elegantly polished writer in the Australian canon: her novels and stories use traditional structures with great assurance, she writes from a thoughtful moral position, she is outspokenly engaged with the fine and the less fine elements of the Australia she once lived in, and she can be dry and funny. She spent most of her life in ...
This is a thoughtful and timely issue of Australian Literary Studies (ALS), one of Australia’s most substantial scholarly journals. It brings together scholars from institutions across Australia, India, and New Zealand to reflect on the state of the discipline of English in the context of a number of recent upheavals, including those directly relatin ...
Broomstick: Personal Reflections of Leonie Kramer has been some years in the writing, and is published now only with the assistance of Leonie Kramer’s friends, former colleagues, and daughters, with the delay ultimately due, the Preface informs us, to the progression of the author’s dementia. As the memoir of a very public figure whose name and decisive a ...
Charles Lock reviews 'Patrick White within the Western Literary Tradition' by John Beston and 'Remembering Patrick White' edited by Elizabeth McMahon and Brigitta Olubas
That Patrick White is thought of as an Australian writer is, though regrettable, undeniable. Two problems follow: the first being that he tends to be presented by his critical custodians in an almost comically restricted way, as though White’s works needed to be measured and justified only by Australian standards and terms of comparison ...... (read more)
In October 2009, Shirley Hazzard spoke at the New York launch of the Macquarie PEN Anthology of Australian Literature. Hazzard read from People in Glass Houses, her early collection of satirical stories about the UN bureaucracy. Her appearance serves to remind Australian readers that Hazzard continues to occupy a defining, if somewhat attenuated, place within the expansive field of what Nicholas Jose described in 2008, on taking up the annual Harvard Chair of Australian Studies, as ‘writing that engage[s] us with the international arena from the Australian perspective’. Jose went on to cite Hazzard’s most recent novel, The Great Fire (2003), as part of ‘a range of material which Americans would not necessarily think of as Australian’.... (read more)