Dina Ross

Dina Ross reviews 'The Love of a Bad Man' by Laura Elizabeth Woollett

Dina Ross
28 October 2016

Throughout history, women have been seduced by men who are mad, bad, and dangerous to know. Many of the world’s most notorious murderers and con artists have attracted ...

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Dina Ross reviews 'The Amazing Mrs. Livesey' by Freda Marnie Nicholl

Dina Ross
24 May 2016

Ethel Livesey was a piece of work. By the time she stood trial in 1946, she had already served several terms in prison. The serial fraudster had accumulated more than ...

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Middletown (Red Stitch)

Dina Ross
23 November 2015

'Middletown. Population: stable,' says the cop on patrol, addressing the audience. 'The main street is called Main Street. The side streets are named after trees ... Things are fairly predictable. People come, people go. Crying, by the way, in both directions.' Middletown. Muddletown. Everytown. The cop's monologue sets up the premise for this play. For the next few ... More

Arts Highlights of the Year

Robyn Archer et al.
26 October 2015

To highlight Australian Book Review's arts coverage and to celebrate some of the year's memorable concerts, operas, films, ballets, plays, and exhibitions, we invited a group of critics and arts professionals to nominate their favourites – and to nominate one production they are looking forward to in 2016. (We indicate which works were reviewed in Arts Up ... More

Dead Centre and Sea Wall (Red Stitch)

Dina Ross
20 July 2015

When Red Stitch premièred Tom Holloway’s Red Sky Morning a few years ago, it was clear that Australian theatre was witnessing the birth of a significant dramatic voice. Here were a series of interlinked monologues rich in poetic intensity, mixing Aussie vernacular with a haunting lyricism that sung of the earth and was roo ... More

The Flick (Red Stitch)

Dina Ross
04 May 2015

It is ironic that Annie Baker’s 2014 Pulitzer-Prize winning play about one of the last American cinemas to use a 35-millimeter projector is being revived by Red Stitch, whose theatre is opposite The Astor, the classic Melbourne cinema that was recently sold and will soon be transformed into a twenty-first century digital ‘palace’.

Red Stitch first perf ... More

Dina Ross reviews 'Jean Galbraith' by Meredith Fletcher

Dina Ross
30 October 2014

The last photographs taken of Jean Galbraith show a wrinkled woman in her eighties, with wispy hair pulled back in a bun, wearing round tortoiseshell spectacles, thick stockings, and sensible shoes – the kind of person you might expect to see serving behind the counter of a country post office early last century, or pouring en ... More

The Good Person of Szechuan (Malthouse Theatre)

Dina Ross
04 July 2014

When Brecht wrote The Good Person of Szechuan (1939–42), he had been influenced by the colour and brashness of Chinese theatre, whose archetypal heroes and villains underpinned his concept of the Alienation Effect. Brecht, ever the political theorist, wasn’t interested in characters with whom the audience empathised, or of employing Stanislavski-based a ... More

Dina Ross: A media personality's battle with shyness

Dina Ross
28 May 2014

Shy is a strange beast – part memoir, part journalistic investigation, part cri de coeur. Reading it, you are immersed in the interior life of an intelligent and sensitive woman. The experience is unsettling, almost voyeuristic. You wonder whether you should be sharing such an intense and honest self-scrutiny, and often feel as if you were breaching ... More

East

Dina Ross
31 March 2014

Stephen Berkoff has always been the bad boy of British theatre. At East’s London première in 1975, the critics howled. Berkoff’s first play was filthy, with explicit references to sex and violence. Yes, the 1950s had spawned Kitchen Sink Drama, exposing the lives of the lower classes to a predominantly middle-class British stage. But Berkoff’s c ... More

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