Dennis Haskell

Hard Horizons by Geoff Page & The Left Hand Mirror by Ron Pretty

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June-July 2018, no. 402

I have no idea if Pitt Street Poetry is located in Pitt Street, in the centre of Sydney’s CBD, but it has certainly made itself central to poetry publishing in Australia. Its list includes such fine poets as Eileen Chong, John Foulcher, Jean Kent, and Anthony Lawrence; that reputation will be added to by these books from Geoff Page ...

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The last two lines of Tony Page's Dawn the Proof (Hybrid Publishers, $25 pb, 87 pp, 9781925272239) ask 'how to seize / the grains of now'. One of Page's (implicit) ...

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Now and again it is good to remind ourselves that literary history (and I think the history of the other arts) is strewn with the names of those who had great stature in their own time and are now largely forgotten, and with the names of others for whom the reverse is true. William Blake, short of money, went to work for the much more admired poet William Hayley. Th ...

Twenty pages from the end of his New Selected Poems, Geoff Page imagines being ‘an heir of Whitman’, and muses that ‘I think I could turn awhile and write like the Americans, / they are so at ease in their syllables, irregular as eyelids, / various as the sea’. These lines are so cleverly Whitmanesque that the idea seems momentarily plausible. Only an ...

The last page of Ian Templeman’s Selected Poems asks us to imagine that ‘every touch / expressing affection, left a handprint / on the heart’ that scientists could later ‘analyse, / to trace a profile of love’. Templeman envisages retired scholars who would prefer to find these traces ‘above a life of research texts’. The poem is titled ...

Pre-teen and early teen years had me and many others enjoying Ross Campbell’s witty column in the Sunday Telegraph newspaper about the goings-on in ‘Oxalis Cottage’, a fictionalised version of his Sydney home. Robert Drewe’s often hilarious columns for The Age and The Weekend West are a kind of modern equivalent, and a selection of ...

First books often suffer most in a Selected Poems as the poet who finally emerges from the possibilities explored in the poems of the first book retrospectively weeds out those poems that are not in what becomes the dominant mode. This certainly happens in the case of Dennis Haskell’s Acts of Defiance ...

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The Ghost Names Sing by Dennis Haskell & Album of Domestic Exiles by Andrew Sant

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February–March 1998, no. 198

Both Dennis Haskell and Andrew Sant are primarily domestic poets. Family and friends comprise the milieu of many of their poems, which attempt to transform quotidiana into something of enduring interest. The chief danger of this type of poetry is that the prevalence of so many poems about family members and friends results in a poetic environment that can resemble a vast, monotonous suburb. If most domestic poets seem indistinguishable from each other in their subject matter alone, then the situation of contemporary poetry becomes further muddled when this homogeneity is bolstered by a general complacency with language.

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