A woman, married but alone, stands at a window in a high-rise apartment in Calgary watching the snow fall. Later she might unpack a carton, go out to eat, go to bed. That is about all that happens in the present time in Grahame’s Personal Effects. The rest is memory. This woman, Lilith, from a coastal town in Western Australia, ruminates on a life story filled perhaps with more loss than than most Australians have to endure, but also with plenty of love to balance, if not compensate. There is her beloved husband, Ross, and two impressive daughters. Lilith’s mosaics provide the central image for the book. ‘Journal Fragments’ from various periods of her adult life splinter the narrative, inviting comparison between her artworks’ composition from sharp-edged shards and her story’s construction from episodes of painful loss.
Read the rest of this article by subscribing to ABR Online for as little as $10 a month. We offer a range of subscription options, including print, which can be found by clicking here. If you are already a subscriber, enter your username and password in the ‘Log In’ section in the top right-hand corner of the screen. If you require assistance, contact us or consult the Frequently Asked Questions page.
Gillian Dooley is an Honorary Senior Research Fellow in English at Flinders University, and a Visiting Fellow in the Music Department at Southampton University. Her publications include an edited book of interviews with Iris Murdoch (2003), V.S. Naipaul, Man and Writer (2006), J.M. Coetzee and the Power of Narrative (2010), and journal articles on a range of literary topics including music in the life and work of Jane Austen. In 2005 she co-edited Matthew Flinders’ Private Journal and in 2014 she published an edition of the correspondence between Iris Murdoch and the Australian radical philosopher Brian Medlin. She has been a regular reviewer for ABR since 2002. She is founding editor of the online journals Transnational Literature and Writers in Conversation.
By this contributor
Leave a comment
Please note that all comments must be approved by ABR and comply with our Terms & Conditions.
NB: If you are an ABR Online subscriber or contributor, you will need to login to ABR Online in order to post a comment. If you have forgotten your login details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to email@example.com. We will review your comment and, subject to approval, we will post it under your name.