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MIT Press

Most people, and certainly most politicians, don’t spend much time or emotional energy thinking about whether human life on this planet will still exist in one hundred years’ time, or what efforts might need to be made right now if we and our descendants are to avoid extinction.

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Living in a Modern Way:California Design 1930–1965 is the catalogue accompanying an exhibition of the same name at the Los Angeles County Museum of Art in 2011–12. The exhibition is now showing at Queensland’s Gallery of Modern Art, after a stint in Seoul.

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If you share my view that Andy Warhol (1928–87) ranks among the most important film-makers who ever lived, ‘Our Kind of Movie’ will be your kind of book. A sophisticated yet direct writer with firsthand knowledge of the 1960s queer underground, art critic Douglas Crimp is equipped to do justice to Warhol’s manifold gifts: the perverse wit, the ceaseless formal invention, and, not least, the soul. 

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Stelarc: The monograph edited by Marquard Smith

March 2006, no. 279
Copiously illustrated, though in black and white, multivocal yet with an emphatic philosophical tone, this MIT publication distinguishes itself as being at odds with much current Australian art publishing. Although visual arts audiences and readers in Australia constantly bemoan the lack of publishing in this field, Craftsman House and Thames & Hudson have actively taken up the mantle over the last two years, generating monographs on emerging and established artists (see Anthony Gardner’s review of the New Art Series on page 16). Certain state arts agencies have also channelled significant resources into commissioning substantial documents on local practitioners. Generally contextualised by one writer and lavishly illustrated in colour, such monographs are in contrast to this compilation of multiple voices and surprisingly monochrome record of the work of one of Australia’s best-known artists. ... (read more)

Whether it is the television, computer, Personal Digital Assistant or mobile phone, many of us spend a considerable proportion of our lives engaging with images presented on screens. Digital images are integral to television, film, photography, animation, video games and the Internet, and are used increasingly as the main medium through which we interact and communicate with each other.

Although we may be aware of the increasing cultural presence of images, less apparent are the changes in how we might think about them. In the new media landscape, images are no longer just representations or interpretations of our actions; they have become central to every activity that connects us to each other and to technology. Understanding the nature of the complex relationship we have with the images that surround us is the principal concern of Ron Burnett’s new book, How Images Think.

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