Gillian Dooley

Gillian Dooley reviews 'Brother Fish' by Bryce Courtenay

Gillian Dooley
Thursday, 22 August 2019

What a phenomenon Bryce Courtenay is. In a world where we are constantly being told that books are on the way out, he sells them by the barrow-load. They’re big books, too. This one weighs 1.2 kilograms and is seven centimetres thick. It’s the kind of book that makes a reviewer wish she was paid ...

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Gillian Dooley reviews 'The Coves' by David Whish-Wilson

Gillian Dooley
Friday, 31 August 2018

A small bay is a cove, and so is a man, according to old-fashioned slang. The Coves takes advantage of this coincidence: it’s a story about a gang of men that rules ‘Sydney Cove’ in the mid-nineteenth century. But this is not the familiar Sydney Cove in New South Wales. There is another one ...

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Gillian Dooley reviews 'A Sand Archive' by Gregory Day

Gillian Dooley
Thursday, 26 April 2018

‘And so I patch it together … I take the liberty of seeking not only an explanation but a connection between what at first might appear to be disparate ingredients.’ The narrator of Gregory Day’s new novel, A Sand Archive, takes many liberties. Enigmatic in various ways, apparently solitary, nameless, and ungendered, ...

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Letters to the Editor - April 2018

Australian Book Review
Friday, 23 March 2018

Comments from John Miller, Barry Oakley, Davd Fitzpatrick, Claire Rhoden, and Robert Wills.

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'Mrs M’ is the second wife of Lachlan Macquarie, governor of New South Wales from 1810 to 1821. Luke Slattery explains in his Author’s Note the impulse behind his novel – Elizabeth Macquarie’s voice coming to him, romantically, in a dream. It was not quite unprompted. He had been visiting her home territory in ...

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Gillian Dooley reviews 'The Pacific Room' by Michael Fitzgerald

Gillian Dooley
Friday, 24 November 2017

Simile haunts The Pacific Room. So many sentences begin ‘It’s as if ...’ that the phrase seems like an incantation. Michael Fitzgerald writes that he agrees with Robert Louis Stevenson that ‘every book is, in an intimate sense, a circular letter to the friends of him who writes it. They alone take his meaning.’ For the reviewer coming from outside the circle, this ...

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Gillian Dooley reviews 'After' by Nikki Gemmell

Gillian Dooley
Monday, 27 March 2017

In 2015, Nikki Gemmell’s mother, Elayn, took an overdose of painkillers. Gemmell’s new book, After, chronicles the difficult process of confronting her mother’s death and resolving the anguish it brought to her and her children. It is also an impassioned appeal for changes in Australia’s laws on the right to die.

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Until 2015, Australian Literary Studies was still a printed artefact. It appeared in the mildly erratic pattern endemic to Australian humanities journals, which depend on busy people finding time for the rewarding but often unrewarded task of editing. Nevertheless, despite rising production costs and increasing competition from the online world, it remained ...

Some ‘only’ children have revelled in that status. Iris Murdoch called her family unit ‘a perfect trinity of love’. Caroline Baum sees her family less happily as a triangle: ‘There’s something uncomfortable about a triangle: it’s all elbows, suggesting awkward unease.’ We find out in the following 380-odd pages the whats and whys of this discomfort. ...

Gillian Dooley reviews 'Extinctions' by Josephine Wilson

Gillian Dooley
Tuesday, 20 December 2016

Extinctions takes its time giving up its secrets, and there are some we will never know. One of its most persistent enigmas is what kind of book it is. I wondered ...

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