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Diane Stubbings

Diane Stubbings

Diane Stubbings is a writer and critic based in Melbourne. Her plays have been shortlisted for a number of Australian and international awards, and staged in Sydney, Melbourne and New Zealand. She has written for Australian Book Review, The Australian, The Canberra Times, and the Sydney Review of Books. Her study of Irish Modernism was published by Palgrave. Diane has recently completed a PhD at VCA, University of Melbourne, investigating intersections between science and theatre.

'Blackout Songs: Circling in and out of love and addiction' by Diane Stubbings

ABR Arts 07 June 2024
Addiction is the third wheel in many a stage relationship. Plays such as Eugene O’Neill’s Long Day’s Journey Into Night (1956), J.P. Miller’s Days of Wine and Roses (1958), and Edward Albee’s Who’s Afraid of Virginia Woolf? (1962) examine the ways in which addiction – whether to alcohol, morphine, or even love – offers a heady sense of ‘something’ where once there seemed to be ... (read more)

Diane Stubbings reviews ‘Only the Astronauts’ by Ceridwen Dovey

June 2024, no. 465 22 May 2024
In late 1999, NASA announced that its Mars Climate Orbiter, a multi-million-dollar robot probe designed to study the weather and climate of Mars, was lost somewhere in space. The craft had failed to manoeuvre into its optimal orbit, ending either on a course towards the sun or in a fatal collision with the red planet. Investigations uncovered the source of the blunder: one team working on the orbi ... (read more)

Diane Stubbings reviews ‘Missing Persons, Or My Grandmother’s Secrets’ by Clair Wills

May 2024, no. 464 22 April 2024
When amateur historian Catherine Corless wrote in the Journal of the Old Tuam Society (2012) that the bodies of 796 children who had died in Tuam’s Mother and Baby Home between 1925 and 1961 might have been interred in a disused septic tank within the home’s grounds, she supposed her involvement in the search for truth would be at an end. The article, she expected, would prompt academics, poli ... (read more)

'Seventeen: A lively, mawkish exercise in nostalgia' by Diane Stubbings

ABR Arts 22 January 2024
In his program notes for the Melbourne Theatre Company’s production of Seventeen, playwright Matthew Whittet describes the play as ‘a conversation between generations. A conversation that acknowledges how hard it is to be on the brink of adulthood, but also how ridiculous and filled with utter joyful stupidity it is too.’ First, let’s get out of the way any idea that Seventeen might have ... (read more)

Diane Stubbings reviews 'Prima Facie' by Suzie Miller

December 2023, no. 460 27 November 2023
Suzie Miller’s play Prima Facie is one of Australia’s most celebrated literary exports of recent years. After an award-winning run of performances in Australia, a production helmed by Killing Eve star Jodie Comer triumphed in London’s West End and on Broadway, garnering deserved accolades for Comer as well as a coveted Olivier Award for Best New Play in 2023. In the wake of the play’s ext ... (read more)

'The Zone of Interest: Variations on Martin Amis’s novel' by Diane Stubbings

ABR Arts 22 November 2023
In Martin Amis’s novel The Zone of Interest (2014), Auschwitz Commandant Paul Doll asserts that to meet the objectives of the Reich it is necessary to ‘shut down a certain zone of the mind. I must accept that we have mobilised the weapons, the wonder weapons, of darkness.’ Doll is not a man seeking to absolve himself. Rather, he attempts to explain his dilemma, lamenting not so much the mora ... (read more)

Diane Stubbings reviews 'The Wren, The Wren' by Anne Enright

November 2023, no. 459 27 October 2023
In her essay ‘The Irish Woman Poet’, Eavan Boland (herself considered Ireland’s greatest female poet) noted that ‘The life of the Irish woman – the ordinary lived life – was both invisible and, when it became visible, was considered inappropriate as a theme for Irish poetry.’ The only place within poetry for an Irish woman, history seemed to insist, was as either muse or myth. Any hi ... (read more)

'My Sister Jill: Patricia Cornelius’s new play about the legacies of war' by Diane Stubbings

ABR Arts 02 October 2023
Some of Australia’s most enduring plays have dealt with war and its legacy. Alan Seymour’s The One Day of the Year (1960), John Romeril’s The Floating World (1974), Dorothy Hewitt’s The Man from Muckinupin (1979), Kate Mulvaney’s The Seed (2008), and Tom Wright’s Black Diggers (2015) have, each in their own way, interrogated the baptisms of blood upon which much of our national mytholo ... (read more)

'Death of a Salesman: A magnetic production of Arthur Miller’s classic' by Diane Stubbings

ABR Arts 08 September 2023
In his survey of the notebook Arthur Miller kept while writing Death of a Salesman, John Lahr, in Arthur Miller: American witness (2022), relates that early in its composition Miller considered calling the play ‘The Inside of His Head’. Correspondingly, Miller envisioned the stage ‘designed in the shape of a head, with the action taking place inside it’. Miller’s instinct to discard the ... (read more)

'Escaped Alone ★★★★★ and What If If Only ★★★1/2: Caryl Churchill – doyenne of the unspoken' by Diane Stubbings

ABR Arts 14 August 2023
Voices in Caryl Churchill’s plays swell and ripple and surge, but they are an unquiet river in whose streambed is hidden the unspeakable, the incomprehensible. Like Samuel Beckett and Harold Pinter – the two playwrights with whom she is most often compared – Churchill is a doyenne of the unspoken, silences manifesting as much through their presence as their absence. Silence, too, surrounds ... (read more)
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