In The Resistance to Poetry (2004), James Longenbach claims that ‘Distrust of poetry (its potential for inconsequence, its pretensions to consequence) is the stuff of poetry.’ The Australian poet Laurie Duggan has based a career on a creative distrust of poetry, or at least a certain kind of attitude to poets and poetry. Duggan is especially suspicious of the idea of the poet as inherently interesting. As he said in an interview in 2001, ‘I really don’t think I’m very interesting in any broader sense than my friends must feel. Partly there’s just the sheer amazement that a life – my life – can be written out like this.’
David McCooey reviews 'The Collected Blue Hills' by Laurie Duggan
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David McCooey is a prize-winning poet and critic. His latest collection of poems, Outside (2011), was shortlisted for the Queensland Literary Awards, and was a finalist for the 2012 Melbourne Prize for Literature's 'Best Writing Award'. His first collection, Blister Pack (2005), won the Mary Gilmore Award and was shortlisted for four major national literary awards. McCooey is the deputy general editor of the prize-winning Macquarie PEN Anthology of Australian Literature (2009). His album of 'poetry soundtracks', Outside Broadcast, was released in 2013 as a digital download. He is a professor of literature and writing at Deakin University in Geelong, where he lives. His forthcoming poetry collection, Star Struck, will be published in late 2016 by UWA Publishing. His website is: www.davidmccooey.com
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"Waterfall, the northern extremity of Sydney": no, the southernTuesday, 18 June 2013 12:46 posted by Jonathan Shaw
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