Book reviewing and its provocateurs: 'What single development would most improve the Australian critical culture?'
Last month in Melbourne, a group of book reviewers and literary editors took part in a conference organised by Monash University’s Centre for the Book. There were more than thirty short papers, or ‘provocations’, as they were styled. Our Editor lamented the low or non-payment of some reviewers (especially youn ... More
In Bark’s second story, ‘The Juniper Tree’, an unnamed narrator sings ‘The Star-Spangled Banner’ with calculated slowness to alter ‘not just the attitude of the song but the actual punctuation, turning it into a protest and question’. Lorrie Moore’s writing career to date strikes a similar counterbalance between form and content: irrepressible ... More
Philip Roth wasn’t the only writer to take the unusual step of announcing his retirement at the end of last year. Confirmation that Alice Munro was also relinquishing fiction was tucked away on the New Yorker’s blog, Page-Turner, three days after the New York Times ran an interview with Roth on its front page. While literary magazines here and over ... More
In Overland back in 2006, Ken Gelder singled out Michelle de Kretser’s first novel, The Rose Grower (1999). as evidence of a contemporary Australian literature in crisis. Its foreign and historical setting, horticultural fetish, focus on private manners and primped prose, he argued, flaunted a rarefied and élitist aesthetics that wanted nothing to d ... More
As contemporary author fan bases go, Margaret Atwood’s must be among the broadest. She is read at crèches, on university campuses, and in nursing homes. Feminists, birders, and would-be writers jostle to see her perform at literary festivals. Yet despite an Arthur C. Clarke Award and, in her own words, ‘three full-length fictions that nobody would ever class as ... More
The opening frames of Cary Joji Fukunaga’s Jane Eyre are startling. Charlotte Brontë’s novel, published in 1847, is a trenchant portrait of female entrapment, but this new adaptation immediately thrusts us outside. A fully grown Jane (Mia Wasikowska) hastens down a hill slope and roams around a vast, viridian moorland. Nearly thirty film and television ... More