Judith Armstrong

'A curious night at the Wheeler Centre' by Judith Armstrong

Judith Armstrong
Friday, 24 July 2020

The Wheeler Centre recently hosted ‘four provocative nights’ based on the assertion that Australian criticism of film, theatre, books and the visual arts is, in its own words, ‘failing us all’. The series was entitled ‘Critical Failure’. For ABR readers unable to attend, here is one person’s account of the books-related panel.

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From a clutch of novels including the award-winning Camille’s Bread (1996), Amanda Lohrey has now turned to shorter literary forms, notably two Quarterly Essays (2002, 2006), a novella (Vertigo, 2008) and this new collection of short stories. At the 2009 Sydney Writers’ Festival she publicly confessed her new leaning, arguing the benefits of genres more easily completed by both writer and reader and less likely to produce guilt if cast aside unfinished.

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Judith Armstrong reviews 'Anastasia: A novel' by Colin Falconer

Judith Armstrong
Wednesday, 03 June 2020

What’s a nice girl called Anastasia doing in the Whangpoa River? Maybe she’s the daughter of the last tsar who everyone thought was dead, or maybe it’s just a girl who looks like a Russian princess and happens to have the same name. If the proposition sounds familiar, be assured by Colin Falconer that Anastasia Romanovs were thick on the streets of Shanghai after the White Russian diaspora of 1917–18.

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Judith Armstrong reviews 'Reunion' by Andrea Goldsmith

Judith Armstrong
Friday, 25 October 2019

What’s the use,’ asks Alice before wandering away from her uncommunicative sister, ‘of a book without pictures or conversations?’ Grown-up readers can probably manage without the former, but it is unusual to find a novel with as little dialogue in it as Andrea Goldsmith’s Reunion, or one that so deliberately ignores the common injunction ‘Show, don’t tell.’

Yet Goldsmith has several books to her credit, including The Prosperous Thief, which was shortlisted for the Miles Franklin Literary Award in 2002, and for several years taught creative writing at Deakin University. Presumably she knows what she is doing. In point of fact, not only does this flouting of conventional rules come over as quite refreshing, it is in any case justified by the demands of the narrative.

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Judith Armstrong reviews 'Grace' by Robert Drewe

Judith Armstrong
Friday, 11 October 2019

The scope of this novel could hardly be more ambitious. It ranges from the landing ten thousand years ago of prehistoric men in primitive rafts on the shores of what would one day be known as the Kimberley, to the apparition of a young asylum seeker off a leaky, sinking boat in roughly the same locality during the present inhospitable times. In other words, it meets the challenge of major issues both immemorial and contemporary.

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Judith Armstrong reviews 'Lovesong' by Alex Miller

Judith Armstrong
Wednesday, 10 July 2019

Alex Miller has been named as a finalist in the 2009 Melbourne Prize for Literature, a rich award given triennially to a Victorian author for a body of work. It is hardly surprising that a writer who has twice won the Miles Franklin Award and frequently been the recipient of, or short-listed for, other prizes should be among ...

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Brian Matthews reviews 'Dymphna' by Judith Armstrong

Brian Matthews
Friday, 24 February 2017

In the summer of 1988 I was part of an Adelaide Writers Week symposium on biography, the stars of which were two justly famous and accomplished biographers – Victoria Glendinning and Andrew Motion.  I described that occasion at the time, like this:

I greatly admired Motion’s panache. As we ascended the podium to begin the se ...

Patti Miller has written four books of or about memoir, one of which, The Mind of a Thief (UQP, 2012) won the New South Wales Premier’s History Award, and she has taught life writing for more than twenty years. Yet her most recent publication, Ransacking Paris, while enjoyable at one level, is disappointing at another. There is a serious mismatch bet ...

Judith Armstrong reviews 'Goodbye Sweetheart' by Marion Halligan

Judith Armstrong
Thursday, 26 March 2015

Marion Halligan is a prolific writer, and this is not the first time I have reviewed one of her books. Once, when she branched out into the genre of lightweight crime – The Apricot Colonel (2006) and Murder on the Apricot Coast (2008) – I commented on the problem faced by Cassandra, the novel’s narrator. An editor-turned-author, she turns out boo ...

Judith Armstrong reviews 'Who We Were' by Lucy Neave

Judith Armstrong
Sunday, 26 May 2013

The nub of this first novel is a good one. Even those who weren’t alive in the early 1950s will have heard of Joseph McCarthy. Fired by the tensions of the Cold War but with scant regard for hard evidence, the US Republican senator made his reputation by accusing numerous individuals of communist sympathies, possible disloyalty, and/or treason. Intellectuals of ev ...

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