Maya Linden

Amid the proliferation of fiction inspired by supernatural themes, it is refreshing to find several débuts concerned with the more mundane – yet perhaps more pertinent – quests of adolescence. Tohby Riddle’s The Lucky Ones (Penguin) explores a period of change in the life of Tom, an aspiring artist, as he negotiates the purgatory between high school and adulthood. Told in a conversational voice, punctuated with poetic observation, it is a meditation on ‘the faint sadness that seems to underpin all things wonderful’.