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Melinda Harvey

Melinda Harvey is Lecturer in English at Monash University. She has been a book critic for nearly twenty years, with reviews and commentary appearing in major Australian newspapers and magazines including Australian Book Review, The Australian, The Age, and the Sydney Review of Books. She was a finalist in the 2020 Pascall Prize for Arts Criticism.

Melinda Harvey reviews 'Questions of Travel' by Michelle de Kretser

October 2012, no. 345 26 September 2012
In Overland back in 2006, Ken Gelder singled out Michelle de Kretser’s first novel, The Rose Grower (1999), as evidence of a contemporary Australian literature in crisis. Its foreign and historical setting, horticultural fetish, focus on private manners and primped prose, he argued, flaunted a rarefied and élitist aesthetics that wanted nothing to do with the ‘political realities’ of ‘ord ... (read more)

Melinda Harvey reviews 'In Other Worlds: SF and the Human Imagination' by Margaret Atwood

February 2012, no. 338 20 January 2012
As contemporary author fan bases go, Margaret Atwood’s must be among the broadest. She is read at crèches, on university campuses, and in nursing homes. Feminists, birders, and would-be writers jostle to see her perform at literary festivals. Yet despite an Arthur C. Clarke Award and, in her own words, ‘three full-length fictions that nobody would ever class as sociological realism’, she ha ... (read more)

Jane Eyre

July–August 2011, no. 333 29 June 2011
The opening frames of Cary Joji Fukunaga’s Jane Eyre are startling. Charlotte Brontë’s novel, published in 1847, is a trenchant portrait of female entrapment, but this new adaptation immediately thrusts us outside. A fully grown Jane (Mia Wasikowska) hastens down a hill slope and roams around a vast, viridian moorland. Nearly thirty film and television adaptations have led us to expect to dis ... (read more)

Melinda Harvey reviews 'Too Close to Home' by Georgia Blain

May 2011, no. 331 21 April 2011
Something happened to the Australian suburban novel while Georgia Blain was trying her hand at memoir in Births Deaths Marriages (2008) and Young Adult fiction in Darkwater (2010). Put it down to The Slap juggernaut. The working family is now angry, high, horny, and mad about tattoos. Gone are the scenes of inarticulate loss at the kitchen table or transitory escape among the drying sheets, told i ... (read more)
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