Peter Porter

Fifty Years On

Peter Porter
Friday, 11 September 2020

Early on, my mind was in reverse.
I read a book the name I thought was From
White Cabin to Log House, and ever after
I knew ambition must go to cancrizans.

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I have sat on these books longer than is reasonable for a review, yet have to confess that I am not satisfied with the readiness of what follows. I got the Porter first, but receiving the Johnston thought that they in some ways offered similar difficulties, perhaps similar rewards, to the reader, and that it might be neat to review them together.

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'When Did You Last See Castagno?' a poem by Peter Porter

Peter Porter
Friday, 07 August 2020

Welcome to the feast, piccolo pasero,
A feast that never ends, of loyalty and treachery.
Two are sold for a farthing, little sparrow

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The Porter Prize: Listen to all the past winners

The ABR Podcast
Wednesday, 22 July 2020

The Peter Porter Poetry Prize is one of the world's leading prizes for an unpublished poem. It's named after one of Australia's finest poets, Peter Porter: a regular contributor to ABR. Now in its seventeenth year, the Porter Prize is worth a total of $10,000. Entries are open now, with a closing date of October 1. Click here for more information.

As poets around the world hone their entries, here's an opportunity to listen to all previous winning poems of the Porter Prize, going right back to 2005. There's nothing like hearing an author read their own work, and each poem in this episode is read by the poets themselves.

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2021 Peter Porter Poetry Prize

Australian Book Review
Friday, 19 June 2020

First prize: $AU$6,000

Four other shortlisted poets: $AU$1,000

Entries have now closed

Judges: 

The Survival of Poetry

Peter Porter
Wednesday, 03 June 2020

Some years ago I wrote a poem called ‘A Table of Coincidences’, which contained the lines: ‘the day Christopher Columbus discovered America / Was the day Piero della Francesca died.’ This is a verifiable fact, unless changes in the Western calendar have altered things. Clearly, I was being sententious and reactionary: the ancient good of the world and its new doubtfulness seemed to start on the one day. A hostile reviewer pointed out that every date in the world is the anniversary of some other date, and poured scorn on my notion by suggesting that a momentous event like the Armistice in 1918 might share a date with the invention of Coca-Cola. But we still honour anniversaries, and I am only too conscious of the 365 days that have passed since 11 September 2001.

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Vincent Buckley reviews 'Collected Poems' by Peter Porter

Vincent Buckley
Friday, 24 April 2020

It is a brave thing to publish your Collected Poems in your early fifties, braver when you are an Australian resident in England publishing there, and a loading might be put on for additional hazard when, like Peter Porter, you are poetry editor both for Oxford and for The Observer. For, when it comes to Collected Poems, it is your very influence that makes you vulnerable.

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Melburnians are rightly proud of the great painting by Giambattista Tiepolo in the National Gallery of Victoria, The Banquet of Cleopatra. Now restored to its prominent position in the gallery, it will continue to attract admiration from generations of visitors, though we should hope that its neighbouring masterpiece, Sebastiano Ricci’s The Finding of Moses, is not overlooked when connoisseurs gather beside the Tiepolo. Jaynie Anderson’s handsome book is a whole-hearted and scholarly homage to Tiepolo in general, and to this picture in particular.

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Peter Porter reviews 'Typewriter Music' by David Malouf

Peter Porter
Thursday, 22 August 2019
A review is more like a conversation than an overview from an Academy, and conversations often start with a salient point leading on to judgement. I suggest readers of David Malouf’s new collection should turn straight to page twenty-five and encounter a spray of short poems, titled ‘Seven Last Words of the Emperor Hadrian’ ... ... (read more)

The cover illustration of Peter Porter’s selection of essays shows a mosaic from the Basilica di S. Marco, Venezia, in which Noah leans out from the wall of the Ark and releases the questing dove. The last words of the selection go ...

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