When it was first published, Tasmanian army nurse and prisoner of war Jessie Simons entitled her memoir of captivity While History Passed (1954). It was reissued as In Japanese Hands (1985). This was one of the numerous autobiographical works produced after their ordeal by POW survivors, whether they were driven by an enduring hatred of their captors (Rohan Rivett, Russell Braddon) or by a striving for forgiveness (Ray Parkin). In his study of ‘Literary imagination and the prisoner-of-war experience’, Roger Bourke has turned instead to what he regards as the neglected area of fiction (sometimes autobiographically tinged) of captivity by the Japanese in World War II. His range encompasses British as well as Australian authors. He is particularly concerned with what the film industry made of such novels as Neville Shute’s A Town Like Alice (book 1950, film 1956), Pierre Boulle’s The Bridge on the River Kwai (1954, 1957), James Clavell’s King Rat (1962, 1965) and J.G. Ballard’s Empire of the Sun (1984, 1987).