Beverley Farmer

Critic of the Month with Paul Giles

Australian Book Review
Wednesday, 25 November 2020

Besides a capacity to write well, critics need to be well-informed. I sometimes get exasperated by reviewers without sufficient expertise in the topics they are considering. On the other hand, academic pedantry can also be off-putting, particularly when couched in a clunky style. In general, I’ve found the most memorable pieces to be those which say something about the reviewer as well as the author under review, like portraits which work through a kind of double vision, offering insights into the painter as well as the sitter. There was a very good essay on Les Murray by J.M. Coetzee in the New York Review of Books a few years ago which had this double-edged quality.

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Geoffrey Dutton reviews 'A Body of Water' by Beverley Farmer

Geoffrey Dutton
Monday, 16 November 2020

In this new book, Beverley Farmer quotes George Steiner: ‘In modernism collage has been the representative device.’ The blurb calls A Body of Water a montage. Well, it’s a difficult book to describe. It’s not a pasting together, there’s no smell of glue about it. Nor is it put together, plonk, thunk, like stones. It’s rather, in her own words, an interweaving.

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On Hydra last year an old grocer wound up his reminiscences of George Johnston and Charmian Clift with a tolerant grin. ‘They both drank a lot,’ he told me. ‘They had to – yia na katevei i skepsi.’ For the thought to be let down: he used the same verb as for a cow letting her milk flow. ‘They drank a lot; they wrote a lot of books.’ He shrugged.

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Lucy Frost reviews 'Milk' by Beverley Farmer

Lucy Frost
Friday, 07 February 2020

Greek and English, the Greek father and Australian mother, the child in the middle who looks at one object and sees different creatures – no catch-phrase like ‘culture conflict’ says much about what is happening in Ismini’s life at this moment. The story does, however, in the strong, unblinkered prose of Beverley Farmer as she writes with unfaltering sensitivity about Greece, about Australians in Greece and Greeks in Australia, and, painfully, about couples and the families who mix their cultures with their love and hate.

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Beverley Farmer is one of a group of women writers celebrated in Gillian Whitlock’s collection of excerpts from their work, Eight Voices of the Eighties. Its introduction begins with a remark attributed to Elizabeth Jolley where she calls the 1980s in Australia ‘a moment of glory for the woman writer’. Beverley Farmer’s first novel, Alone, was published in 1980, at the beginning of this period of renaissance and recognition of women’s writing as central to a national literary culture.

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News from the Editor's Desk - May 2018

Australian Book Review
Tuesday, 24 April 2018

News from the Editors Desk

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ABR on Tour

Next month ABR Editor Peter Rose and Development Consultant Christopher Menz will lead the

There is a distinct poignancy attached to last things, a sense in which they encapsulate all that has gone before at the same time as they anticipate an end. In the moment of their first manifestation, last things are already haunted by their own absence. This Water: Five tales is the first book by Beverley Farmer to be published since 2005, and has been an ...