Melbourne University Press

In his 1928 collection of poems, Odd Jobs, Ernest ‘Kodak’ O’Ferrall caricatures recitation as an onerous entertainment that has passed its use by date:

John Tregenza’s 1963 study of Australian Little Magazines noted that neither Meanjin nor its near-contemporary Southerly could be characterised as ‘little’, unlike their predecessors and earlier selves. No longer solely dependent on subscription income from a small local band of devotees, both had attracted a wide following. Indeed on transferring his journal from Brisbane to the University of Melbourne in 1945, Meanjin’s Clem Christesen claimed that it had become ‘a well-established quarterly ... with a circulation of 4,000 copies per issue’.

Australian liberals and the Liberal Party were once thought laggards in attending to their own history in comparison with the Labor Party. Even so, Robert Menzies’ life and career had been well documented, with multiple biographies and memoirs, including Allan Martin’s masterful two-volume biography (1993-99) and Judith Brett’s influential analysis of Menzies’ ‘Forgotten People’ speech as a key to understanding the ‘public life’ (1992). More recently, liberal political history has become a cottage industry.

The title and cover of Great Game On tell us that a struggle is underway between Russia and China for supremacy in Central Asia. But by the time the reader has reached the book’s end, they are persuaded that China has already won and that there is more than just Central Asia at stake.

Imagine the uproar if Nick Daicos left Collingwood tomorrow, seduced by a huge financial offer from a rival Australian football competition. Imagine if the reigning Brownlow Medallist, Patrick Cripps, followed suit, then Christian Petracca and Charlie Curnow and more. Chaos would ensue.

In this important book, Colin Golvan – a distinguished senior counsel – recounts some of the most notorious cases of copyright abuses endured by Indigenous artists, their work taken without permission, attribution, or adequate compensation and used on objects ranging from souvenir T-shirts to expensive carpets. An intellectual property barrister, Golvan leads us through the intricacies of these cases with lawyerly precision and poise, championing the role of copyright in bringing justice to Indigenous people.

Mark Raphael Baker started writing this memoir on his first night in hospital after being diagnosed with pancreatic cancer in 2022. His wife, Kerryn, had died of a rare gastric cancer seven years before. His brother, Johnny, died of oesophageal cancer just two years after Kerryn. He is also reckoning with the death of his elderly father. The emotional intensity of these losses is the foundation of A Season of Death. ‘Three graves in five years,’ Baker writes. ‘While no number of deaths could make me indifferent to what awaits me, watching a sequence of deaths in the family has made me more prepared. I feel as though I have been trained or mentored in the art of dying.’

The Iranian city of Ramsar, overlooking the Caspian Sea, was the site of a meeting that brought together delegates from around the world at the beginning of 1971. The meeting was held to determine the future global management of the world’s few remaining wetlands, vital habitats for transnational migratory bird species such as Latham’s Snipe (Gallinago hardwickii), which fly annually between Australia and Japan.

Nuked – a compelling but depressing read – is a deeply researched and strangely suspenseful account of the AUKUS agreement struck between Australian Prime Minister Scott Morrison, British Prime Minister Boris Johnson, and United States President Jo Biden and announced in September 2021; a deal that included supplying Australia with a fleet of nuclear-powered submarines at the staggering cost of $368 billion. Nuked should be compulsory reading for all Australian citizens.

In 1888, Melbourne hosted a grand Centennial International Exhibition to mark a century of British occupation of the continent. There, a six-year-old girl called Ethel Punshon was excited to see that she had won a prize of two guineas for her needle-work – an embroidered red felt newspaper holder. Almost one hundred years later, as Brisbane prepared to mark the bicentennial with a modern ‘Expo 88’, Ethel – now known as Monte Punshon – was invited to become Expo’s roving ambassador, as perhaps the only person alive who remembered its predecessor.