Film

The most consistently useful American film critic

Jake Wilson

 

Goodbye Cinema, Hello Cinephilia: Film Culture in Transition
by Jonathan Rosenbaum
University of Chicago Press (Footprint Books), $41.95 pb, 368 pp, 9780226726656

 

As his title suggests, ...

‘It wasn’t like that in the book’ is one of the commonest and most irritating responses to film versions of famous novels. Adaptation of literature to film seems to be a topic of enduring interest at every level, from foyer gossip to the most learned exegesis. Sometimes, it must be said, the former is the more entertaining, but this is no place for such frivolity.

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Words and Images is a valuable contribution to the rapidly growing body of work on Australian film culture and a welcome addition to the relatively small collection of volumes dealing with the film-literature connection. As McFarlane notes there is not, as yet, a ‘definitive work’ on the art of adaptation, though George Bluestone’s Novels into Film (1957) established a fairly solid base for others working in this area. McFarlane’s acknowledged indebtedness to Bluestone is most evident in the method he adopts in order to examine individual adaptations. Essentially it is one of determining and exploring changes to texts, that is, the major alterations and manipulations which take place in the process of adapting a narrative from one medium to another.

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The Story of Gallipoli by Bill Gammage, based on the screenplay by David Williamson

by
June 1982, no. 41

People tell you one week that they liked Gallipoli, but the next they’re not so sure. Gone are the days of intuitive gut felt reaction – everyone wants to make sure their judgements are intellectually sound. They read every ‘expert’ on the subject and come back with another opinion. Reading the script gives you another variation. The skeleton is there, warts and all.

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