Afilm sequel is always a risky venture, and thus it is with Goldstone, Ivan Sen's follow-up to his 2013 outback crime drama, Mystery Road. But it is just one risk the writer–director–cinematographer director takes with this film. Goldstone re-introduces us to the indigenous police detective ...

French writer-director Stéphane Brizé's The Measure of a Man (La loi du marché), looks at first to be a character study with a quasi-documentary feel, then takes a disconcerting turn. At its centre is Vincent Lindon (Welcome [2009], Mademoiselle Chambon [2009]), a robust, often demonstrative actor ...

ANAM and BPO, The other American songbook, Helpmann Awards,  Cut The Sky, and subscriber giveaways: Degas and Our Kind of Traitor ...

The streets of Hobart are especially cold and quiet on the longest night of the year. Those out and about are simply commuting from place to place, wrapped in scarves, hats, and jackets. Some head towards St David's Cathedral to attend Heart of Darkness, the penultimate performance of ...

At the end of Richard Linklater's 1970s coming-of-age comedy Dazed and Confused (1993), an inebriated teenager encourages her peers to be optimistic: 'Maybe the 80s will be radical, you know?' Twenty-three years later, Linklater has provided a response to this suggestion with the film's ...

In his introduction to the opening night concert of the Melbourne International Jazz Festival (MIJF), Michael Tortoni, the artistic director, noted that some 43,000 patrons were expected to attend over 120 concerts during this year's program. That is a lot of devotees to a musical form often ...

After a ten-year gestation, actor Don Cheadle (Hotel Rwanda [2004], Crash [2004]) has realised his dream to produce a film on the legendary jazz musician Miles Davis. Cheadle who directs, co-writes, and plays the central role eschews the usual linear narrative in Miles Ahead and takes as his ...

Arthur Miller's reputation as the writer of glum naturalistic problem dramas is undergoing a re-evaluation at present. The fashionable director Ivo van Hove's ecstatically reviewed and Tony Award-winning production of A View from the Bridge stripped the play back to reveal its archetypal classic structure, and his brilliantly staged, if infuriatingly wrong-headed, approach to The Crucible, at present on Broadway, has flying girls, sinister wolfhounds, and icy hellish wind blasts in what appears to be an attempt to turn the piece into a replay of The Exorcist.

Ian Potter Museum of Art, University of Melbourne, Marian Anderson, Sydney Symphony Orchestra in June, The Dark Heart of Winter, Shakespeare on film, The Beethoven Project giveaway.