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Refugees

We often talk about refugees in terms of crisis: ‘unprecedented’ floods of thousands, waves of humanity displaced and now knocking at the door somewhere else. The scale can indeed be staggering. World War II displaced perhaps two hundred million people (one in every ten), worldwide. Figures like this are almost paralysing. How to solve a crisis of this scale, let alone attend to any one refugee’s needs? The experiences of ordinary people, the personal dimensions, are often lost. How do you find the individual in those millions? This is what Ruth Balint does so deftly in Destination Elsewhere: conveys the immense scale of the postwar refugee crisis, but also sketches faces, personalities, and the triumphs, hardships, and failings of individuals. It is a history that feels very human.

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Freedom, Only Freedom by Behrouz Boochani, edited and translated by Omid Tofighian and Moones Mansoubi

by
January-February 2023, no. 450

In 2018, No Friend but the Mountains: Writing from Manus Prison became a literary sensation. It was written by Behrouz Boochani, a Kurdish-Iranian journalist and refugee who was incarcerated by the Australian government on Manus Island. Like thousands of others, Boochani had travelled by boat to seek asylum in Australia. From Manus, he texted passages to collaborators in Sydney. There, Omid Tofighian and Moones Mansoubi developed the work further. Through reportage, storytelling and poetry, it bore witness to the horrors of immigration detention. By 2019, No Friend had won some of Australia’s major literary awards and Boochani had become internationally renowned. In November 2019, he was invited to attend a festival in Christchurch, New Zealand. After six years in detention, he was free. The system that had imprisoned him remained intact.

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‘I want to tell you about a different kind of world, one that exists within the world we live in,’ writes Akuch Kuol Anyieth in her memoir, Unknown, thus inviting her readers to empathise with the singular plight of refugees. For much too long, refugees have been overlooked or rendered invisible; they are confined to refugee camps, detention centres, and hotel rooms, condemned to the margins of society, and denied entry to territories in order to seek safe haven. Anyieth’s endeavour, through the personal medium of the memoir, to foreground the lives and perspectives of refugees is admirable, given that it obliges her to relive past traumas. Unknown is a vivid, embodied portrait of Anyieth’s resilience and her will to overcome.

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Flee 

by
14 February 2022

A teenager’s arduous journey from a Taliban-occupied Afghanistan in 1989 to the safe haven of Denmark is given a uniquely painterly treatment in Flee. Far from diminishing the story’s impact, this animated documentary is all the more profound for the insidious way the visuals undermine our defences.

Danish filmmaker Jonas Poher Rasmussen became friends with Amin soon after the Afghan refugee arrived in Denmark as an unaccompanied minor. Despite a friendship that has lasted twenty-five years, Amin had never told Jonas the full story of the harrowing experiences that led to his eventual asylum. He hadn’t told anyone. Through the course of Poher Rasmussen’s film, we find out why. 

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In late August, it took only a few days for the Taliban to secure control of Kabul in the wake of the final withdrawal of Western troops from Afghanistan. The breakneck speed of the takeover was accompanied by images of mass terror, alongside a profound sense of betrayal. As in the closing days of the Vietnam War in 1975, the international airport quickly became the epicentre of scenes of chaos and collective panic, as thousands rushed onto the tarmac in desperate attempts to board the last planes out of the country. Queues stretched for kilometres outside the country’s only passport office. It is still too early to tell whether the Taliban’s promises of a more ‘inclusive’ government and amnesty for former collaborators of the Western forces will be met. What is certain is that Western governments owe them safe passage, though, from the announcements coming from Prime Minister Scott Morrison’s office in late August, it seems unlikely this will be properly honoured.

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After surviving two perilous boat journeys when he thought he would die, Jaivet Ealom is taken into the control of Australian authorities and given the designation EML019 on an identification card that manages to misspell his name. He will be referred as EML019 for the next three years, having arrived in Australian waters just five days after 19 July 2013, when a policy change meant that asylum seekers coming by boat would be transferred to the Manus Island or Nauru ‘regional processing centres’ to face indefinite detention and with no hope of resettlement in Australia.

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Refugee policies around the globe are under strain. As Alexander Betts recognises in the opening pages of The Wealth of Refugees, refugee numbers are increasing due to conflict and political instability in many countries, a situation that will be exacerbated in the future by climate change and the impact of Covid-19. Betts, a political scientist at Oxford University, also notes that populist nationalism has undermined the political willingness of wealthy countries to accept migrants and asylum seekers.

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People seeking asylum are off trend. As the black and brown people on boats have stopped arriving on Australia’s shores, so has our interest in them waned. In commemoration, a boat-shaped trophy sits in Prime Minister Scott Morrison’s office, inscribed with the words ‘I Stopped These’. Today, Australians seem preoccupied by the vaccine roll-out and allegations of rape in parliament. With a federal election on the horizon, people seeking asylum and refugees seem passé, a case of ‘out of sight, out of mind’.

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Much political mileage has been made in Australia from the turning back of ‘boat people’. Travel by boat is the cheapest means of getting to this island continent, and the most dangerous. Boat travellers are the poorest and the most likely to be caught and deported or sent to an offshore camp. But their number is less than half of those who arrive by air as tourists and apply for refugee protection: some 100,000 have done so during the seven years of this Coalition government.

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In early October 2017, Thomas Albrecht, the Canberra-based Regional Representative of the United Nations High Commissioner for Refugees (UNHCR), took to The Guardian to register his dismay about the Australian government’s response to asylum seekers. ‘The current policy has been an abject failure,’ he wrote. ‘A proper ...

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