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Graham Strahle

One of Australia’s most successful tenors and in his ninetieth year, Thomas Edmonds has put pen to paper in what might be his swansong. Ev’ry Valley: A tenor’s journey is a prodigiously detailed account of his life, and quite a marvel for what it contains. All his memories and ruminations are contained in its 313 pages, and the book is arranged in a most unusual way: by abode. A singer’s life is on the road, one might say, and this has surely been the case with Edmond. No less than thirty addresses are the subject of each of its chapters, starting in rural South Australia where he grew up, expanding geographically as he went on to win a talent quest television program in the 1960s, and reaching further career heights in the United Kingdom in the 1970s.

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To celebrate the year’s memorable plays, films, television, music, operas, dance, and exhibitions, we invited a number of arts professionals and critics to nominate their favourites.  

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Subtler in its purring resonances than the cello and more closely resembling the human form in its body, the viola da gamba was cultivated to its greatest heights in the court of Louis XIV. The great virtuoso Marin Marais will be the most familiar name for any who are acquainted with this instrument, but two later figures of equal ability were Antoine Forqueray and his son, Jean-Baptiste. Tumultuous in their relationship, they become the rather unexpected subject of a compelling new novel by Michael Meehan. 

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