Black Inc

There is a popular image of the ‘Hexagon’ (the roughly six-sided shape of France) as a powerful, stable national entity with a confident, even overbearing, cultural identity. Colin Jones instead stresses France’s dynamic history as an ethnic and cultural melting pot and its shifting borders as a crucible of military conflict. The central thread of Jones’s engaging story is the tension between contested meanings of ‘Frenchness’ on the one hand, and France’s constant interactions with the wider world on the other.

Josephine Rowe’s third novel, Little World, is a little novel, at least in terms of its length, which resembles that of a novella. Little World is also about a little person, specifically a child, or rather, the preserved corpse of a child, said to be a saint. There is nothing small, though, about the novel’s impact, which is grandly and enduringly enigmatic.

There has been, for some time, a debate among researchers of Australian history. Should the moral and psychological dimensions of settler experience be examined, or do we know enough already?

Few books are greater than the sum of their parts – many are less. In the case of Ross Garnaut’s latest effort, the parts are greater than the sum. As a book, Let’s Tax Carbon: And other ideas for a better Australia succeeds and fails. It succeeds as a field guide to the past, present, and future of the Australian economy’s three big policy problems: transitioning to a net-zero carbon economy; reversing social and economic inequity; and creating new industries that secure the nation’s prosperity. But it fails as a work of non-fiction.

In September 2023, ancient Rome became the focus of a viral social media trend. Women were encouraged to ask men how often they thought about the Roman Empire. The results were emphatic. It became apparent that many men thought about the Roman Empire frequently. The enduring fascination with the Romans should not be surprising; they continue to have an impact on our lives every day.

In his seminal book I Don’t Want To Talk About It (1997), Terrence Real outlines how contemporary men, within the frameworks of white-supremacist capitalist patriarchy, must undergo a severing of self from self, and self from community. Real identifies how the so-called masculine power attained through this severing comes from a ‘one down’ position in which the struggle for ‘power over’, rather than ‘power with’, is a central doctrine of what he calls ‘patriarchal masculinity’. This power over, rather than power with, is similarly manifest in international governance, statehood, community and the family unit itself – and it is even manifest in the representation of male characters in Australian literature.

Lech Blaine. Lucky bastard. Great stories fall in his lap, like butterflies alighting on an open hand. All he has to do is write them up.

Oh, that it were so easy. Earning great material, in Blaine’s case, has meant more travails in three decades than some people endure in a lifetime. Surviving a horrific motor accident that claimed three young lives and profoundly damaged several others was grist for his first memoir, Car Crash (2021). The early death of his father, his mother’s decline through neurodegenerative illness, and managing a Bundaberg motel when his peers were attending university have produced compelling essays.

Don’t judge a book by its cover? There is no problem with this book. The cover and artist’s note, declaring inspiration from such diverse art forms as traditional Indian miniature painting, Indian matchbox design, and a ‘harmonious blend of Indian and Australian flora’, encapsulate the intertwining narratives and cultural crossovers of the stories within.

Andrew Ford is a musical polymath. On his website he identifies as a ‘composer, writer and broadcaster’. I suspect the Australian public knows him best as a broadcaster, given his three decades at the helm of the ABC’s Music Show. That broadcasting longevity does not diminish his continuing acclaim as a composer, as seen in the rousing première of his Red Dirt Hymns before a capacity Canberra Festival crowd on 2 May. Nor does it discount his run of hundreds of essays, and a dozen or so books. Some of those books are edited accumulations of his own press articles and reviews, often drawing on his well-researched Music Show interviews. But most of his books are devoted to particular musical passions: memory, harmony, noise, and, most repeatedly, song (David McCooey reviewed Ford and Anni Heino’s The Song Remains the Same [2019] in ABR, March 2020).