Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Hamlet

Many would regard Verdi’s late masterpiece, Otello, as the most successful operatic adaptation of Shakespeare. Some have also even opined that it is better than the play. There is no doubting that it is a remarkable work and a towering landmark in nineteenth-century opera. It was a remarkable alignment of fate for this reviewer to able to see the Verdi work a day before a third viewing of perhaps the most successful Shakespeare adaptation of the twenty-first century, Brett Dean’s Hamlet.

... (read more)

Bernhardt/Hamlet 

Melbourne Theatre Company
by
10 March 2023
More than a century ago, long before gender-blind casting became modish, the incomparable Sarah Bernhardt (1844–1923), a woman in her fifties, had the audacious idea that she would play Hamlet. Not only would she – scandalously – don breeches to do so, but she would also defy the critical consensus that Hamlet was a man in his early thirties. ... (read more)

Hamlet 

by
13 May 2022

Back in 1991, Bell Shakespeare opened their very first season with Hamlet, starring John Polson and directed by John Bell himself; it deliberately highlighted the Australian vernacular, almost over-emphasising the flat vowel sounds and local cadences over the fruitier delivery we inherited from the British. It had a gritty contemporary setting, and garishly over-the-top costumes. It also wasn’t very good.

... (read more)

'It is arguably the most famous play on the planet’, writes Jonathan Croall in his introduction to this absorbing study of how the play and its eponym have gripped the imagination across the ages – and, as far as this book is concerned, particularly across the last seventy years. Whether for actor or director, Hamlet has always been ‘a supreme challenge’, making huge demands on those bringing it to theatrical life.

... (read more)

It is the fate of nearly all new operas to disappear quickly after an initial run of performances, so it was with much anticipation that Australian audiences had the opportunity to see Brett Dean’s Hamlet, triumphantly premièred at Glyndebourne in June 2017 ...

... (read more)

There have been more than 600 publications on Hamlet in the last five years alone. Uniquely amongst Shakespeare’s plays, Hamlet even has an entire journal devoted to it: Hamlet Studies. Offering something new in these circumstances takes courage. Drawing inspiration from Margreta de Grazia’s liberation of Hamlet from ...

... (read more)

Three ‘new’ operatic versions of Hamlet in two years: the time is certainly not ‘out of joint’ for Shakespeare. Italian composer and conductor Franco Faccio’s Amleto was successfully premièred in Genoa in 1865, but then had a disastrous performance at La Scala in Milan in 1871 ...

... (read more)

Hamlet 

Bell Shakespeare
by
22 July 2015

Hamlet belongs to the final years of Elizabeth’s reign, when the system of espionage the old queen had created through her spymaster-general, Francis Walsingham – the network of ‘watchers’, as Stephen Alford calls them in a recent brilliant study of this phenomenon – had become an acknowledged part of everyday life in England. In the theatre, these ...

Over the past ten years, Melbourne and Sydney have experienced a revolution in the aesthetics of theatre – perhaps only the second major one since 1945. After World War II, the British helped to get us back on our cultural feet, the high point being the establishment of the Australian Elizabethan Theatre Trust in 1954. Along came a bunch of Poms or Pommie-mi ...

The greatest play by the greatest playwright, Hamlet has over the centuries daunted readers far older than Holden Caulfield. Today, however, he would have another choice: he could read the novel of the play, and one written especially for his age group. John Marsden, the Pied Piper of Australian YA literature, has decided to lead his vast army of devotees into Shakespeare country – to be specific, Elsinore. And why not? The progress from adolescence to maturity is the very stuff of YA fiction, and Hamlet is a story about growing up. Most stage Hamlets are too old. Holden describes the Danish prince as a ‘sad, screwed-up type guy’, and one of the defining features of Marsden’s often dark fiction is exactly this kind of young protagonist.

... (read more)