Charlotte Wood

Felicity Plunkett reviews 'The Weekend' by Charlotte Wood

Felicity Plunkett
Wednesday, 23 October 2019

‘What kind of game is the sea?’ asks the speaker of Tracy K. Smith’s poem ‘Minister of Saudade’. ‘Lap and drag’, comes the response, ‘Crag and gleam / That continual work of wave / And tide’. It is not until the end of The Weekend that the sea’s majestic game is brought into focus, and then the natural world rises, a riposte, to eclipse human trivia ...

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Favourite Australian Novels of the twenty-first century

Australian Book Review
Monday, 23 September 2019

Ten years after the first ABR FAN Poll, the second one was limited to Australian novels published since 2000 (though we received votes for recent classics such as 1984, Voss, and Monkey Grip). When voting closed in mid-September, Richard Flanagan’s Booker Prize-winning novel The Narrow Road to the Deep North emerged ...

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If a collection of stories is put together on the basis that these are the ‘best Australian stories of 2016’, is it fair or reasonable to hope for some kind of cohesiveness or gestalt beyond ...

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Writers have, it seems, an insatiable appetite for reading about writing; and such advice comes in various forms. There are books that promise to teach their readers how to write in any ...

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In an isolated hut in the countryside, a young woman wakes from a drug-induced sleep to discover that she is dressed in a nineteenth-century smock. She soon finds another young woman in the same condition, and both are forced to submit to the shaving of their heads. It is contemporary Australia: kookaburras cackle outside. Are they in a prison, or a religious cult, ...

Open Page with Charlotte Wood

Tuesday, 25 August 2015

Why do you write?

To find out what I think. To understand myself. To forage in the chaos and murkiness of my subconscious, grasp hold of the difficult stuff, drag it into the light, and shape it into something beautiful.

Are you a vivid dreamer?

Yes! I have great epic s ...

Miriam Zolin reviews 'Animal People' by Charlotte Wood

Miriam Zolin
Thursday, 24 November 2011

Early in Charlotte Wood’s previous novel The Children (2007), one of Stephen Connolly’s sisters describes him as lost; she says he carries within him ‘a bedrock of resentment … never articulated and never resolved, but which has formed the foundation for his every conversation, every glance from his guarded eyes’. Readers may disagree with this harsh assessment as they read W ...