Chris Feik
The greatest pleasure is helping authors make their work the best version of itself. There is no greatest challenge, I am glad to say, although sometimes expectations need to be ‘managed’.
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‘What I wanted to do was to write a story that would confront me with a number of incidents requiring moral, philosophical or theological reflection,’ Terry Lane writes in the postscript to this novel. There’s something a little unfashionable about such an aim: most contemporary fiction markets itself in more secular terms. But Lane was once a religious minister, prior to his career in broadcasting, and this book testifies to that history. It is a novel that returns obsessively to questions of spiritual crisis and dissent. From the perspective of the dissenter, it targets public morality, and doctrinaire religious observance. From that of a sceptic, it asks how senseless disasters can be squared with a divine plan.
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