Peter Porter

The Peter Porter Poetry Prize is one of the world's leading prizes for an unpublished poem. It's named after one of Australia's finest poets, Peter Porter: a regular contributor to ABR. Now in its seventeenth year, the Porter Prize is worth a total of $10,000. Entries are open now, with a closing date of October 1. Click here for more information.

As poets around the world hone their entries, here's an opportunity to listen to all previous winning poems of the Porter Prize, going right back to 2005. There's nothing like hearing an author read their own work, and each poem in this episode is read by the poets themselves.

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Australian Book Review is pleased to announce the shortlist for the 2021 Peter Porter Poetry Prize. ... (read more)

The 2022 Peter Porter Poetry Prize will open 15 July 2021.

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Andy Kissane and Belle Ling are the joint winners of the 2019 Peter Porter Poetry Prize, worth a total of $8,500. The winners were named at a ceremony at fortyfivedownstairs in Melbourne on March 18. 

Andy Kissane's winning poem is titled '

ABR News: Felicity Plunkett named the ABR Patrons' Fellow 2019; a new poem by Behrouz Boochani; the Peter Porter Poetry Prize shortlist announced; the Melbourne Writers' Festival moves; Calibres galore; the 2019 Stella Prize shortlist announced; the Melbourne University Publishing furore; and more ...

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Supporting the ABC; Jolley Prize; W.H. Auden; Morag Fraser's upcoming biography of Peter Porter; The Peter Porter Poetry Prize; ABR in Perth; Free copies of ABR in select bookstores; Dilan Gunawardana leaves ABR; Jack Callil is the new Assistant Editor ...

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Peter Porter's posthumous collection of poems, Chorale at the Crossing, is preoccupied, understandably, with death – but death was a central preoccupation of his work from the beginning. How could it not be? He lost his mother at the age of nine.

Porter's two Collected Poems (1983 and 1999) were – are – stupendous, exuberant treasure- ...

It’s the voice, isn’t it, of a master, so unmistakably in command of a music that is inseparable from the personal modesty that is its signature, which belies all grandeur and refuses to take credit for the gift but has it nonetheless in abundance. When Craig Sherborne read the last poem in this Selected Poems ...

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In an essay on the poetry of George Crabbe, Peter Porter wrote, ‘It is a great pleasure to me, a man for the littoral any day, to read Crabbe’s description of the East Anglian coast.’ Happily, there is by now a substantial and various array of writings about Porter’s work, and I would like simply to add that his being, metaphorically, ‘a man for the littor ...

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