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Geoff Page

Geoff Page is based in Canberra. His books include 1953 (UQP 2013), Improving the News (Pitt Street Poetry 2013), New Selected Poems (Puncher & Wattmann 2013), Aficionado: A Jazz Memoir (Picaro Press 2014), Gods and Uncles (Pitt Street Poetry 2015), Hard Horizons (Pitt Street Poetry 2017) and PLEVNA: A Verse Biography (UWA Publishing 2016). He also edited The Best Australian Poems 2014 and The Best Australian Poems 2015 (Black Inc). His most recent books are in medias res (Pitt Street Poetry, 2019) and Codicil (Flying Islands Press, 2020)

Geoff Page reviews 'A Personal History of Vision' by Luke Fischer, 'Flute of Milk' by Susan Fealy', and 'Dark Convicts: Ex-slaves on the First Fleet' by Judy Johnson

May 2017, no. 391 30 April 2017
The UWAP Poetry imprint began in late 2016, and there are already fourteen titles available. To judge from the quality of the three reviewed here, UWAP’s energy and ambition is well-placed. In the first of these books, A Personal History of Vision ($22.99 pb, 100 pp, 9781742589381), Luke Fischer, in his poem ‘Why I Write’, provides a useful starting point. After rejecting a number of famili ... (read more)

Geoff Page reviews 'The Fremantle Press Anthology of Western Australian Poetry' edited by John Kinsella and Tracy Ryan

April 2017, no. 390 30 March 2017
The need for this book is self-evident in a way that a similarly historical anthology for New South Wales or Victorian poetry would not be. From many perspectives, Perth is one of the most remote cities in the world and there is no doubt that the state’s uniqueness is captured in this extensive, though tightly edited, selection. Despite its comparable treatment of Aboriginal people, Western Aust ... (read more)

States of Poetry 2017 - ACT | 'The Notebooks' by Geoff Page

States of Poetry ACT - Series Two 22 February 2016
The Notebooks Thirty years of dreams are storedin notebooks, written down on waking. Her daughter’s kept them all,imagining her mother moves among those shimmering and scribbledlayers on a bedside table. Those narratives live on, she’s sure,in all their raw hallucinations, their sudden runs of ecstasy,their weird humiliations. Yet from her own the daughter knowshow quickly dreams dispers ... (read more)

States of Poetry 2017 - ACT | 'Judgement' by Geoff Page

States of Poetry ACT - Series Two 22 February 2016
Judgement If all we’re told is righthow wearisome He’ll find it;all those fine gradations, those mitigating factors.Psychopaths are easybut who are we to say? The virtuous are harder,their sin of subtle pride,their svelte self-satisfaction. The normal are the worst,one day a fine donation,next day a little nip, a joke that cuts too deep,some small misuse of power.And then, just one day on ... (read more)

States of Poetry 2017 - ACT | 'Flags' by Geoff Page

States of Poetry ACT - Series Two 22 February 2016
Flags January 26 The honours list has been announced,recipients are ‘humbled’.Three jet fighters, adolescent, fly past proving nothing.Fireworks later on are promised.None of this requires my serious attention.How many million barbecues?Our tall ships and our sixty thousand yearsattempt a sort of balancealong with sundry new arrivals delivered without fussby fishing boat or planeand livi ... (read more)

States of Poetry 2017 - ACT | 'No name or rank supplied' by Geoff Page

States of Poetry ACT - Series Two 22 February 2016
No name or rank supplied We’re looking down the barrel ofa.303 Lee Enfield,standard issue through until the early 1960s.The others in the firing squadhave all been cropped away, it seems. He is an officer, we think –that small, smart cap betrays him.His hair’s well-trimmed and business-like; he seems somehow unduly cleanto be an executioner.The scene, most likely, is in England, followi ... (read more)

Jeremy Rose and The Earshift Orchestra: Iron in the Blood (Universal Music)

ABR Arts 16 August 2016
Iron in the Blood is jazz musician Jeremy Rose's ambitious and heartfelt tribute to Robert Hughes's The Fatal Shore (1986). Although some academic historians may demur, The Fatal Shore remains a crucial book for understanding the brutality of Australia's colonial origins. To create his eleven-part tribute, Rose has assembled The Earshift Orchestra, an ensemble of seventeen musicians, nearly all o ... (read more)

Geoff Page reviews 'Jack & Mollie (& Her)' by Jordie Albiston

May 2016, no. 381 27 April 2016
Although William Carlos Williams, with some accuracy, claimed that ‘every’ poem is an ‘experiment’, the number of successful experiments is relatively rare. Jordie Albiston’s new ‘long poem’ or ‘verse novel’ (call it what you will) is triumphantly experimental in both technique and content. In technique, Albiston has done several things which, in other hands, would almost certai ... (read more)